"The way I create music is maybe like a painting, to compose in a more visual way. Basically it's the music that I want to hear- that's my inspiration and bottom line. I just try to get ideas from books, movies, paintings"

Ikue Mori's quote uses a nuanced perspective on the innovative procedure, particularly as it pertains to music structure. She likens the development of music to painting, recommending a technique that is as much about visual imagination as it is about auditory structure. This contrast suggests that for Mori, music is not entirely an auditory experience but a multisensory one. She visualizes noises and melodies in the way a painter might picture colors and shapes. This approach suggests a fluidity and dynamism in her imaginative procedure, where music is crafted with a sense of area, texture, and form just like a painter approaches a canvas.

Mori's description likewise highlights the deeply personal nature of her art. She mentions, "Basically it's the music that I wish to hear", recommending autonomy and internal motivation in her work. Instead of conforming to external expectations or patterns, her compositions are guided by her own preferences and desires. This personal connection to her music works as both her motivation and her directing concept. It shows a level of credibility that is vital to her creative integrity, as she creates not for others, however to please her own creative and auditory cravings.

Additionally, Mori's reference of drawing motivation from "books, motion pictures, paintings" reveals her openness to interdisciplinary influences. This demonstrates a holistic understanding of art, where borders between various kinds are permeable. By incorporating insights and psychological hints from literature, movie theater, and visual art, Mori enhances her music with diverse thematic elements and emotional depth. This interweaving of impacts indicate an abundant tapestry of motivation, permitting her to develop compositions that are eclectic and nuanced.

In conclusion, Ikue Mori's viewpoint on music structure is one that values visual thinking, personal authenticity, and interdisciplinary motivation. Her technique underscores the richness of creativity as a multidimensional and deeply individual venture, where music becomes an expression not just of noise, but of a wider artistic vision.