"There are certain things in which mediocrity is not to be endured, such as poetry, music, painting, public speaking"
About this Quote
Mediocrity, for La Bruyere, isn’t a harmless middle - it’s an offense that becomes most visible precisely where society pretends refinement matters. By singling out poetry, music, painting, and public speaking, he draws a bright line around the performative arts: public acts of taste that demand an audience and therefore invite judgment. In these arenas, “good enough” doesn’t just fail quietly; it clutters the commons. A mediocre accountant can still balance the books. A mediocre orator wastes everyone’s time and, worse, dulls the civic ear.
The bite is in the moral framing. “Not to be endured” turns aesthetic disappointment into a question of tolerance, almost hygiene. La Bruyere is writing from the salon culture of 17th-century France, where art and rhetoric weren’t side hobbies but social currency and political instrument. Public speaking especially isn’t an accidental inclusion; in an age of courtly persuasion and pulpit power, rhetoric shaped reputations, policy, and piety. Bad speech isn’t just ugly - it’s misrule in miniature.
The subtext is classed, even if he doesn’t say so. This is a gatekeeping sentence disguised as a standard: an argument that certain cultural spaces must remain curated, protected from the democratizing creep of the merely competent. Yet it also contains a bracing defense of attention. La Bruyere assumes our time is finite, our senses educable, and our shared culture worth defending against the tyranny of the bland.
The bite is in the moral framing. “Not to be endured” turns aesthetic disappointment into a question of tolerance, almost hygiene. La Bruyere is writing from the salon culture of 17th-century France, where art and rhetoric weren’t side hobbies but social currency and political instrument. Public speaking especially isn’t an accidental inclusion; in an age of courtly persuasion and pulpit power, rhetoric shaped reputations, policy, and piety. Bad speech isn’t just ugly - it’s misrule in miniature.
The subtext is classed, even if he doesn’t say so. This is a gatekeeping sentence disguised as a standard: an argument that certain cultural spaces must remain curated, protected from the democratizing creep of the merely competent. Yet it also contains a bracing defense of attention. La Bruyere assumes our time is finite, our senses educable, and our shared culture worth defending against the tyranny of the bland.
Quote Details
| Topic | Art |
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