"There is no truly global justice"
About this Quote
Spoken by a cartoonist who built a career on ink splatter, distortion, and moral nausea, "There is no truly global justice" lands less like a policy claim than a grim punchline. Steadman is famous for drawing power as grotesque anatomy - leaders as bloated bodies, institutions as crooked architecture - and the line carries that same visual logic: zoom out far enough and the neat story of fairness breaks apart into stains, borders, and double standards.
The intent is deflationary. "Global" is the bait, the word we attach to tribunals, human-rights language, and humanitarian branding to make them sound inevitable and above politics. Steadman punctures that balloon. The subtext is that justice travels with a passport. It is enforced unevenly, narrated selectively, and often administered by the same states that benefit from its blind spots. The word "truly" matters: it anticipates the rebuttal ("But we have international law!") and preemptively rejects it as theater - a set of ideals regularly subordinated to alliances, markets, and military reach.
Contextually, Steadman comes out of postwar Britain and the late-20th-century media ecosystem where images of famine, coups, and war crimes circulate globally while accountability remains stubbornly local, or simply absent. His generation watched "never again" become a recurring slogan with a short shelf life. As a cartoonist, he also knows cynicism is a delivery system: the line is compact enough to fit under an illustration, sharp enough to make you laugh, and bleak enough to make the laughter stick in your throat.
The intent is deflationary. "Global" is the bait, the word we attach to tribunals, human-rights language, and humanitarian branding to make them sound inevitable and above politics. Steadman punctures that balloon. The subtext is that justice travels with a passport. It is enforced unevenly, narrated selectively, and often administered by the same states that benefit from its blind spots. The word "truly" matters: it anticipates the rebuttal ("But we have international law!") and preemptively rejects it as theater - a set of ideals regularly subordinated to alliances, markets, and military reach.
Contextually, Steadman comes out of postwar Britain and the late-20th-century media ecosystem where images of famine, coups, and war crimes circulate globally while accountability remains stubbornly local, or simply absent. His generation watched "never again" become a recurring slogan with a short shelf life. As a cartoonist, he also knows cynicism is a delivery system: the line is compact enough to fit under an illustration, sharp enough to make you laugh, and bleak enough to make the laughter stick in your throat.
Quote Details
| Topic | Justice |
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