"They say the average person can't make a living in art... but if you tell me there's something I can't do, that's what I have to do"
About this Quote
The claim that the average person cannot make a living in art sounds like advice, but it is really a statistic pretending to be destiny. Average describes a distribution, not a person. It flattens individuality into a bell curve and then declares the curve a law. This kind of warning often masquerades as realism while quietly enforcing conformity: better to choose the safe path, do what most people do, stay where the odds look friendlier. The line pushes back by turning prohibition into fuel. Tell me I cannot, and you have given me a direction.
There is a psychological pivot at work, the stubborn energy of reactance. Humans bristle when boundaries are imposed, and some bristle into action. The act of making art already asks for a leap against the grain of utility. To decide to make a living at it compounds the bet, moving from expression to sustainability, from private compulsion to public exchange. The challenge is not merely skill but system: markets, gatekeepers, time, and attention. Defiance alone will not pay rent, but it can sustain the persistence required to build craft, find an audience, and endure long enough for the improbable to become possible.
The appeal to the average also ignores how the terrain has shifted. Patronage once confined opportunity to a few courts and galleries; now networks of small patrons, digital platforms, and niche communities widen the path. The long tail economy rewards the determined specialist who can gather a thousand true fans rather than chase mass approval. Against that backdrop, the vow to do what others deem impossible reads less like adolescent rebellion and more like a realistic strategy: accept that you cannot be average and still expect an uncommon outcome.
Sutherland frames art as an arena where identity is forged through resistance. The prohibition becomes a dare, the dare becomes a discipline, and the discipline creates a life that the average cannot account for.
There is a psychological pivot at work, the stubborn energy of reactance. Humans bristle when boundaries are imposed, and some bristle into action. The act of making art already asks for a leap against the grain of utility. To decide to make a living at it compounds the bet, moving from expression to sustainability, from private compulsion to public exchange. The challenge is not merely skill but system: markets, gatekeepers, time, and attention. Defiance alone will not pay rent, but it can sustain the persistence required to build craft, find an audience, and endure long enough for the improbable to become possible.
The appeal to the average also ignores how the terrain has shifted. Patronage once confined opportunity to a few courts and galleries; now networks of small patrons, digital platforms, and niche communities widen the path. The long tail economy rewards the determined specialist who can gather a thousand true fans rather than chase mass approval. Against that backdrop, the vow to do what others deem impossible reads less like adolescent rebellion and more like a realistic strategy: accept that you cannot be average and still expect an uncommon outcome.
Sutherland frames art as an arena where identity is forged through resistance. The prohibition becomes a dare, the dare becomes a discipline, and the discipline creates a life that the average cannot account for.
Quote Details
| Topic | Never Give Up |
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