"This is all new to me, these re-releases. I don't know how these things do. I don't know if it will be people who saw it originally or young people"

Tom Berenger's quote expresses a sense of curiosity and uncertainty regarding the phenomenon of film re-releases. Berenger, a skilled actor understood for his roles in movies like "Army" and "Inception", appears to be assessing the progressing dynamics of how movies are consumed by audiences today compared to when they were originally released.

He starts with an acknowledgment of his unfamiliarity with re-releases: "This is all brand-new to me, these re-releases". This suggests that Berenger, like many stars and filmmakers from earlier periods, is adapting to modifications in the movie industry. The practice of re-releasing films has actually gotten traction with the arrival of digital restoration, anniversaries, and the nostalgia-driven interest of audiences, offering traditional movies a 2nd life in theaters or through streaming platforms.

Berenger's declaration, "I do not understand how these things do", highlights his uncertainty about the business success and audience reception of re-released movies. This uncertainty might stem from the reality that the landscape of media usage has transformed significantly, with audiences having actually differed choices and access to an overwhelming array of content. The question of whether re-releases appeal more to original audiences or discover a fresh audience among more youthful generations is main to Berenger's musings.

When he says, "I do not understand if it will be individuals who saw it initially or youths", Berenger is considering the demographics of the possible audience. The original audiences may be drawn by fond memories, eager to relive their previous experiences. Conversely, young people might be attracted to the cultural significance, curiosity, or crucial recognition of such films, seeing them for the very first time in a reimagined or brought back format.

In summary, Berenger's quote catches a moment of self-questioning about the evolving nature of movie circulation and audience characteristics. His honest admission of not understanding underscores the wider uncertainties dealt with by industry veterans as they browse this new surface, where the past satisfies the present in unanticipated ways.