"We always thought that we'd go on from the show to have a career in movies"

In this quote, Kevin McDonald reflects on the goals and expectations that he and his peers held throughout their time working on a tv program. The quote talks to a common sentiment amongst entertainers who at first acquire recognition through tv, with hopes of leveraging that platform to shift into a career in film, which is often perceived as a pinnacle of success in the show business.

McDonald's use of "we constantly thought" recommends a collective belief or shared dream among his group, likely referencing his fellow cast members or collaborators. This shows that the vision of moving from television to film was not just individual however was also a shared goal within his professional circle. This belief reflects the aspirations of numerous actors throughout that era, who viewed cinema as using more comprehensive opportunities for storytelling, greater exposure, and potentially higher creative and financial benefits.

The expression "the program" symbolizes a specific program that served as a springboard for these ambitions. For McDonald, this likely describes "The Kids in the Hall", a sketch comedy series that became a cult hit and offered a platform for its cast members. The nature of sketch funny, with its variety of characters and settings, works as a terrific training school for stars, refining their skills in adaptability and timing, both valuable possessions in the film market.

Additionally, McDonald's words can reflect the wider context of the home entertainment world, where many successful stars and comedians have transitioned from television to movie, matching the trajectory pictured by McDonald and his associates. However, the journey from tv to films is not guaranteed and involves browsing the complexities of an industry that values both skill and marketability.

In summary, this quote encapsulates the dreams harbored by numerous tv performers, while likewise hinting at the challenges and uncertainties inherent in trying to make the leap to movie fame, a goal that, while prevalent, is fraught with its own set of troubles and chances.