"We don't have any CGI with any of the car stuff. I think it's a real experience when you see this car going through really fast really wild and you see me driving a lot of the times and also a big chase in downtown Atlanta. It's just incredible"

Sean William Scott is emphasizing the authenticity and excitement of the car sequences in the film he’s discussing. By specifically stating that there is no CGI used in any of the car scenes, he highlights the filmmakers' dedication to practical effects and real stunts. In an industry where computer-generated imagery is so commonly used to enhance or create action sequences, this decision stands out as a deliberate commitment to realism. The lack of CGI means the stunts, crashes, and high-speed driving are happening in front of the camera, performed by real drivers, sometimes actors themselves, without digital fakery.

Scott’s reference to the “real experience” expresses how tangible action has a different impact on viewers. When audiences realize the cinematic car chases and wild driving stunts are genuine, it increases both the tension and thrill. The knowledge that what is unfolding on screen is physically happening, no matter how dangerous or technically challenging, makes each moment more gripping. He mentions viewers will actually see him behind the wheel in many scenes, which not only adds to the believability of the action but also creates a deeper connection between the character and the audience. Rather than cutting to obviously staged close-ups or relying on digital doubles, the film showcases its actors at the heart of the action.

He also highlights a “big chase in downtown Atlanta,” suggesting a set piece that serves as a major cinematic highlight. Shooting a high-speed chase on location in a busy urban setting involves complicated logistics, real risks, and demands skilled coordination between stunt professionals, camera crews, and support teams. By describing the chase as “just incredible,” Scott conveys his own amazement and suggests the intensity and scale are something that can only be achieved by “doing it for real.” Altogether, his comments underline a reverence for old-school stunt work and practical filmmaking artistry, inviting audiences to appreciate the difference.