"We play melodic music, we play songs, we play all kinds of things and when you improvise you don't just shut out different languages, you use all the languages that you have"

Fred Frith's quote highlights the expansive and inclusive nature of musical improvisation. At its core, the statement highlights the multiplicity and diversity fundamental in the imaginative procedure of music-making. By stating, "We play melodic music, we play songs, we play all kinds of things", Frith acknowledges the large range of musical forms and categories that musicians engage with. This variety shows the abundant tapestry of influences and traditions that artists draw from, whether it's classical, jazz, folk, rock, or experimental music.

The essence of Frith's message depends on the concept of linguistic parallelism where he equates musical improvisation to language usage: "... when you improvise you don't just shut out various languages, you use all the languages that you have". Here, Frith recommends that improvisation is not about separating oneself within a single category or style however about accepting all the "languages"-- or musical vocabularies-- at one's disposal. This could imply incorporating elements from various musical customs, methods, and cultural influences to create something that is special and original.

Frith's use of the metaphor of "languages" underscores the universality and communicative power of music. Just as linguistic diversity improves communication by providing numerous ways of expressing concepts and emotions, musical variety permits a broader and deeper expression of creativity and feeling. The act of improvisation, in this sense, becomes a discussion not simply with the other musicians or with oneself, however with the totality of musical history and potential.

Furthermore, the quote highlights the importance of openness and flexibility in improvisation. By being receptive to different musical impacts and integrating them spontaneously, artists can find new paths and create innovative soundscapes. Improvisation, as described by Frith, is an inclusive, vibrant, and developing art type that resists limits and motivates a holistic engagement with music. This improves both the creator and the listener, resulting in a more profound shared experience.