"We worked under a lot of pressure... three days to do an episode, sometimes two in a week, 39 episodes a year"
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In this quote, Lloyd Bridges reflects on the grueling schedule and high-pressure environment of tv production during his time. He highlights the extreme work principles needed to produce a considerable volume of content within tight timelines. Let's break down the components of the quote to much better comprehend its ramifications.
"We worked under a great deal of pressure" recommends that the needs of the task were not just difficult however also relentless. In the context of television production, this pressure likely came from the requirement to regularly deliver top quality episodes that satisfied both audience expectations and network requirements. The seriousness suggested by the expression indicates that there was little space for error, necessitating a well-honed and effective production process.
"Three days to do an episode" underscores the remarkably tight production schedules that were common in Bridges' age. In modern-day tv, production can often span a number of weeks per episode, permitting more fancy storytelling, comprehensive set styles, and production values. The three-day timeline recommends a quick speed of work, needing a collaborated effort from the whole cast and team to bring each episode of the program to fruition. Actors, directors, writers, and professionals would all require to be well-prepared and versatile to keep up with this schedule.
"Sometimes two in a week" further stresses the impressive speed and the requirement for adaptability and intense commitment from everybody involved. Balancing the production of several episodes simultaneously would have added another layer of intricacy to the ventures, demanding remarkable organizational skills and endurance.
"39 episodes a year" highlights the large volume of material produced. Today's television series typically range from 10 to 24 episodes per season, a far cry from the 39 episodes that Bridges and his group had to provide yearly. This substantial output not only speaks with the devotion of the cast and crew but also to the various nature of the tv market at the time, which preferred amount and consistent engagement over the typically shorter, more narrative-focused seasons of modern tv.
In general, Bridges' quote conveys a sense of admiration for the effort and durability required to prosper in such a demanding market, painting a brilliant picture of the unique difficulties faced by television experts in his period.
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