"Well you can't teach the poetry, but you can teach the craft"
About this Quote
Hockney draws a line between what can be handed down and what must arise from within. Craft is learnable: the disciplines of drawing, color, perspective, composition, how materials behave, how to practice, how to look closely and persist. Poetry is not a syllabus item. It is the personal charge in the work, the sensibility that gives a piece its breath. Teachers can show methods, model habits of attention, and correct technique; they cannot install a soul.
The remark comes from a lifelong studio practitioner who has argued for the primacy of seeing. Trained in British art schools and famous for crisp pools, luminous portraits, photo joiners, and later iPad paintings, Hockney has always experimented with tools while insisting that skill matters. He often lamented the neglect of drawing in art education, not because virtuosity guarantees greatness, but because it equips the eye and hand to be honest. Without craft, the so-called poetry leaks away into vague intention. With only craft, the result can be technically flawless and emotionally inert.
There is a productive paradox here. While poetry cannot be taught directly, craft creates the conditions where it can appear. Learning how edges meet, how light shifts across a surface, how a sequence or a frame holds attention, clears the noise so that the unexpected connection, the inner rhythm, can announce itself. Craft is a discipline of freedom, not its enemy; it keeps the door open for surprise.
The line resonates beyond painting. Writers can learn structure and revision; musicians can learn scales and voicing; chefs can learn heat and timing. The spark that animates a style remains mysterious. Hockney’s point is not fatalistic. It places responsibility on both sides: teachers to transmit hard-earned knowledge and cultivate curiosity, and artists to do the patient, teachable work that makes them ready for the unteachable moment when something living enters the piece.
The remark comes from a lifelong studio practitioner who has argued for the primacy of seeing. Trained in British art schools and famous for crisp pools, luminous portraits, photo joiners, and later iPad paintings, Hockney has always experimented with tools while insisting that skill matters. He often lamented the neglect of drawing in art education, not because virtuosity guarantees greatness, but because it equips the eye and hand to be honest. Without craft, the so-called poetry leaks away into vague intention. With only craft, the result can be technically flawless and emotionally inert.
There is a productive paradox here. While poetry cannot be taught directly, craft creates the conditions where it can appear. Learning how edges meet, how light shifts across a surface, how a sequence or a frame holds attention, clears the noise so that the unexpected connection, the inner rhythm, can announce itself. Craft is a discipline of freedom, not its enemy; it keeps the door open for surprise.
The line resonates beyond painting. Writers can learn structure and revision; musicians can learn scales and voicing; chefs can learn heat and timing. The spark that animates a style remains mysterious. Hockney’s point is not fatalistic. It places responsibility on both sides: teachers to transmit hard-earned knowledge and cultivate curiosity, and artists to do the patient, teachable work that makes them ready for the unteachable moment when something living enters the piece.
Quote Details
| Topic | Art |
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