"What gives the artist real prestige is his imitators"

Igor Stravinsky's quote, "What gives the artist real prestige is his imitators", highlights the idea that an artist's real impact and significance are often measured by the level to which others look for to emulate their style, techniques, or works. This concept operates within the context of both acknowledgment and legacy.

Primarily, imitation functions as a type of flattery, showing recognition and admiration. When artists inspire others to mimic their developments, it recommends that their work has resonated deeply and broadly with audiences. This replica suggests that the artist has actually achieved a level of mastery and development that others view as deserving of replication and study.

Furthermore, having imitators can amplify an artist's visibility and cultural impact. As others replicate or build on an initial artist's work, they accidentally promote and disseminate the original concepts further than the artist might have alone. This process can assist strengthen the artist's place within a particular art movement or historic period, ensuring that their contributions stay prominent and relevant.

Furthermore, copy cats can drive the development of an artist's design, as constant replica challenges the initial artist to innovate to keep an unique identity. There is a vibrant interaction where the existence of impersonators can push both the originator and the art form to develop, producing an environment that encourages creativity and development.

On a wider scale, Stravinsky's quote recommends that the mark of an influential artist isn't just innovative work however also the capability to produce a ripple effect within the artistic neighborhood and beyond. An artist's status is hence linked to their capability to influence future generations, setting requirements and stimulating creativity across creative disciplines. In this sense, real status is not a static accolade but a living tradition constantly refreshed by those who follow and reinterpret the paths established by the original artist.