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Igor Stravinsky Biography

Igor Stravinsky, Composer
Born asIgor Fyodorovich Stravinsky
Occup.Composer
FromRussia
SpousesCatherine Nossenko (1906–1939)
Vera de Bosset (1940–1971)
BornJune 17, 1882
Oranienbaum, Russian Empire
DiedApril 6, 1971
New York City, New York, United States
CauseHeart attack
Aged88 years
Igor Stravinsky was a respected as well as very significant Russian composer, conductor, as well as pianist who was born upon June 17, 1882, in Oranienbaum (now Lomonosov), Russia, and died on April 6, 1971, in New York City, USA. Over the period of his lengthy career, he explored a wide range of music designs as well as left an enduring mark on the advancement of 20th-century songs.

Stravinsky was born into a highly music as well as cultured family. His papa, Fyodor Ignatievich Stravinsky, was a well-known diva, while his mommy, Anna Kirillovna, was a talented pianist. Although the family anticipated the young Igor to study legislation, his passion for songs led him to abandon his lawful researches and also seek a profession in structure. In 1902, he started researching under the renowned Russian composer Nikolai Rimsky-Korsakov, who considerably affected his early structures.

Stravinsky first obtained international acknowledgment with his ballets "The Firebird" (1910) and also "Petrushka" (1911), which he made up for Sergei Diaghilev's groundbreaking Ballets Russes. Both ballets showcased Stravinsky's innovative and also distinct approach to rhythm and also orchestration. Nonetheless, his true breakthrough came in 1913 with "The Rite of Spring", an item that surprised audiences with its cutting edge use of dissonance, rhythm, and orchestration while likewise strengthening Stravinsky as a leading figure in modern-day music.

Throughout the First World War and the Russian Revolution, Stravinsky resided in Switzerland, where he composed a number of neoclassical jobs, consisting of the ballet "Pulcinella" (1920), influenced by the songs of the Italian Baroque composer Giovanni Pergolesi. In 1920, Stravinsky moved to France as well as became a French person in 1934. While residing in France, he remained to work throughout different styles and styles, making up works such as the satirical ballet "The Soldier's Tale" (1918) and the opera "Oedipus Rex" (1927).

With the beginning of the Second World War, Stravinsky transferred to the United States in 1939, resolving in Hollywood, California. In 1945, he came to be a U.S. citizen. Throughout this duration, he composed among his most famous jobs, the choral harmony "Symphony of Psalms". Stravinsky also started explore the 12-tone technique developed by his contemporary Arnold Schoenberg, as shown by his ballet "Agon" (1957).

Throughout his occupation, Stravinsky worked together with many musicians, poets, and choreographers, such as Georges Balanchine, Jean Cocteau, and also the painter Pablo Picasso, that designed the scenery and costumes for the ballet "Pulcinella".

In 1962, Stravinsky was bestowed the visit as the Charles Eliot Norton Professor of Poetics at Harvard University, delivering a series of significant lectures on music. He continued to compose, perform, and execute until his death on April 6, 1971.

Throughout his enormous and also differed career, Igor Stravinsky challenged musical norms and pressed the borders of advancement in structure. His long lasting legacy as a pioneering force in 20th-century music stays indisputable.

Our collection contains 29 quotes who is written / told by Igor, under the main topic Art.

Related authors: Aldous Huxley (Novelist), Arnold Newman (Photographer), Pablo Picasso (Artist), Maureen Forrester (Musician), Bruno Walter (Composer), Toru Takemitsu (Composer), Roger Sessions (Composer), Jean Cocteau (Director), Elliott Carter (Composer), Arnold Schoenberg (Composer)

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29 Famous quotes by Igor Stravinsky

Small: The Church knew what the psalmist knew: Music praises God. Music is well or better able to praise him t
"The Church knew what the psalmist knew: Music praises God. Music is well or better able to praise him than the building of the church and all its decoration; it is the Church's greatest ornament"
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Small: A good composer does not imitate he steals
"A good composer does not imitate; he steals"
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Small: The real composer thinks about his work the whole time he is not always conscious of this, but he is aw
"The real composer thinks about his work the whole time; he is not always conscious of this, but he is aware of it later when he suddenly knows what he will do"
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Small: Harpists spend 90 percent of their lives tuning their harps and 10 percent playing out of tune
"Harpists spend 90 percent of their lives tuning their harps and 10 percent playing out of tune"
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Small: To listen is an effort, and just to hear is no merit. A duck hears also
"To listen is an effort, and just to hear is no merit. A duck hears also"
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Small: My music is best understood by children and animals
"My music is best understood by children and animals"
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Small: I was born out of due time in the sense that by temperament and talent I should have been more suited f
"I was born out of due time in the sense that by temperament and talent I should have been more suited for the life of a small Bach, living in anonymity and composing regularly for an established service and for God"
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Small: I know that the twelve notes in each octave and the variety of rhythm offer me opportunities that all o
"I know that the twelve notes in each octave and the variety of rhythm offer me opportunities that all of human genius will never exhaust"
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Small: I have learned throughout my life as a composer chiefly through my mistakes and pursuits of false assum
"I have learned throughout my life as a composer chiefly through my mistakes and pursuits of false assumptions, not by my exposure to founts of wisdom and knowledge"
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Small: I am an inventor of music
"I am an inventor of music"
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Small: What gives the artist real prestige is his imitators
"What gives the artist real prestige is his imitators"
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Small: The trouble with music appreciation in general is that people are taught to have too much respect for m
"The trouble with music appreciation in general is that people are taught to have too much respect for music they should be taught to love it instead"
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Small: A plague on eminence! I hardly dare cross the street anymore without a convoy, and I am stared at where
"A plague on eminence! I hardly dare cross the street anymore without a convoy, and I am stared at wherever I go like an idiot member of a royal family or an animal in a zoo; and zoo animals have been known to die from stares"
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Small: What force is more potent than love?
"What force is more potent than love?"
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Small: Too many pieces of music finish too long after the end
"Too many pieces of music finish too long after the end"
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Small: The more constraints one imposes, the more one frees ones self. And the arbitrariness of the constraint
"The more constraints one imposes, the more one frees one's self. And the arbitrariness of the constraint serves only to obtain precision of execution"
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Small: Sins cannot be undone, only forgiven
"Sins cannot be undone, only forgiven"
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Small: In order to create there must be a dynamic force, and what force is more potent than love?
"In order to create there must be a dynamic force, and what force is more potent than love?"
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Small: I am in the present. I cannot know what tomorrow will bring forth. I can know only what the truth is fo
"I am in the present. I cannot know what tomorrow will bring forth. I can know only what the truth is for me today. That is what I am called upon to serve, and I serve it in all lucidity"
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Small: Film music should have the same relationship to the film drama that somebodys piano playing in my livin
"Film music should have the same relationship to the film drama that somebody's piano playing in my living room has on the book I am reading"
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Small: I havent understood a bar of music in my life, but I have felt it
"I haven't understood a bar of music in my life, but I have felt it"
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Small: The principle of the endless melody is the perpetual becoming of a music that never had any reason for
"The principle of the endless melody is the perpetual becoming of a music that never had any reason for starting, any more than it has any reason for ending"
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Small: Money may kindle, but it cannot by itself, and for very long, burn
"Money may kindle, but it cannot by itself, and for very long, burn"
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Small: Why is it that whenever I hear a piece of music I dont like, its always by Villa-Lobos?
"Why is it that whenever I hear a piece of music I don't like, it's always by Villa-Lobos?"
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Small: Music is given to us with the sole purpose of establishing an order in things, including, and particula
"Music is given to us with the sole purpose of establishing an order in things, including, and particularly, the coordination between man and time"
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Small: Just as appetite comes by eating, so work brings inspiration, if inspiration is not discernible at the
"Just as appetite comes by eating, so work brings inspiration, if inspiration is not discernible at the beginning"
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Small: Is it not by love alone that we succeed in penetrating to the very essence of being?
"Is it not by love alone that we succeed in penetrating to the very essence of being?"
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Small: Lesser artists borrow, great artists steal
"Lesser artists borrow, great artists steal"
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Small: Conductors careers are made for the most part with Romantic music. Classic music eliminates the conduct
"Conductors' careers are made for the most part with 'Romantic' music. 'Classic' music eliminates the conductor; we do not remember him in it"
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