"When a scene is being shot, it is very difficult to know what one wants it to say, and even if one does know, there is always a difference between what one has in mind and the result on film"

Michelangelo Antonioni's quote explores the inherent obstacles and complexities of filmmaking, encapsulating the unpredictable nature of translating vision into truth. The statement highlights 2 main struggles faced by filmmakers: defining one's artistic intent during shooting and the unavoidable variation in between preliminary vision and last result.

First of all, Antonioni talks to the uncertainty and fluidity present throughout the filming procedure. Even the most thoroughly planned scenes can be subject to reinterpretation due to different factors such as star performance, lighting conditions, or on-set spontaneity. Each of these aspects can modify the desired message of a scene, reflecting the vibrant and often unforeseeable nature of creative expression. This uncertainty highlights the idea that filmmaking is not simply a linear process of carrying out pre-conceived ideas, however a malleable journey where ideas develop in real-time.

Moreover, Antonioni deals with the consistent space in between conceptualization and execution, a variation familiar to anyone participated in creative work. Typically, what a director visualizes might not completely translate onto the screen. This might be due to technical limitations, miscommunications amongst the team, unforeseen scenarios, or the intrinsic unpredictability of human feelings. This space recommends that filmmaking is as much about adaptation and discovery as it has to do with careful planning.

Nonetheless, this inconsistency in between intent and result is not necessarily negative. It can be the birth place of innovation and unexpected radiance, leading to a product that, while different from the initial strategy, might resonate more profoundly. Filmmaking, as Antonioni implies, is a collective dance between control and opportunity, where the unforeseeable components can instill a scene with credibility and much deeper meaning.

In essence, Antonioni's reflection acts as a pointer of the versatility needed in artistic endeavors. It encourages filmmakers to accept the unforeseeable nature of the medium, suggesting that the magic of cinema frequently depends on its imperfections and deviations from the original plan.