"When people pay to see you live, they connect with you on a much deeper level than people who just buy your records"

In this quote, Sandra Bernhard highlights the extensive connection developed between performers and their audience in a live setting versus the connection experienced through tape-recorded media. This difference underscores the special intimacy and electrical power of live performances that often avoid the more fixed experience of consuming taped content.

When individuals attend live performances, they belong to an ephemeral shared experience that goes beyond the music or the art itself. The performer is physically present, engaging with the audience in real-time, which makes it possible for spontaneous interactions and a sense of immediacy and authenticity. This creates a vibrant environment wherein both the audience and the entertainer feed off each other's energy. The collective experience of being in the moment promotes a sense of community and belonging amongst audience members, as they are sharing a one-time occasion that will never be reproduced in specifically the very same way.

Furthermore, live performances typically enable more nuanced expressions of feeling and storytelling. Subtle shifts in tone, unexpected improvisations, and real reactions to audience feedback can considerably enhance the psychological depth and individual connection to the performance. The audience witnesses the artistry not just in the music or words, but in the mannerisms, expressions, and interactions of the entertainer. This level of personal engagement can foster a stronger, more enduring connection and accessory to the artist.

On the other hand, buying and listening to records is a more singular and passive experience. While recorded music can be deeply moving, the absence of physical presence and real-time interaction can make it feel less individual. The controlled environment of a recording studio might also remove away some of the raw, unpredictable essence that characterizes live efficiencies.

In essence, Bernhard recommends that the live performance is not merely about the transmission of art however the development of a shared human experience, enhancing the relationship in between the artist and the audience in a way that transcends the capabilities of recorded media.