"When there is pain, there are no words. All pain is the same"
About this Quote
Pain, Morrison suggests, is the point where language loses its swagger. The first sentence is almost brutally simple: when suffering arrives in full, words don’t just fail to describe it; they become irrelevant, like trying to negotiate with a fire using metaphors. Morrison’s intent isn’t to romanticize silence but to mark pain as a kind of experiential hard stop, where the usual tools of selfhood - narration, explanation, even wit - get stripped away.
Then she risks the provocative claim: “All pain is the same.” On the surface, that sounds like a flattening, even a moral shortcut. Morrison’s subtext is sharper. Pain is “the same” not because circumstances don’t matter, but because pain annihilates the very distinctions we lean on to organize empathy: deserved/undeserved, public/private, dramatic/ordinary. In the body and the mind, pain collapses hierarchy. It makes everyone temporarily illiterate.
Context matters with Morrison, whose work is obsessed with what history does to a person’s capacity to speak - slavery, racial terror, intimate violation, the social pressure to keep moving and keep quiet. In her novels, trauma is rarely a single event; it’s a weather system. That’s why the line lands: it argues that the deepest injuries aren’t “stories” yet. They’re pre-verbal, and they demand something harder than interpretation: witnessing, patience, and a refusal to tidy someone else’s suffering into a lesson.
The quiet sting is that literature, her own medium, is being humbled here. Morrison isn’t surrendering language; she’s reminding us what it’s up against.
Then she risks the provocative claim: “All pain is the same.” On the surface, that sounds like a flattening, even a moral shortcut. Morrison’s subtext is sharper. Pain is “the same” not because circumstances don’t matter, but because pain annihilates the very distinctions we lean on to organize empathy: deserved/undeserved, public/private, dramatic/ordinary. In the body and the mind, pain collapses hierarchy. It makes everyone temporarily illiterate.
Context matters with Morrison, whose work is obsessed with what history does to a person’s capacity to speak - slavery, racial terror, intimate violation, the social pressure to keep moving and keep quiet. In her novels, trauma is rarely a single event; it’s a weather system. That’s why the line lands: it argues that the deepest injuries aren’t “stories” yet. They’re pre-verbal, and they demand something harder than interpretation: witnessing, patience, and a refusal to tidy someone else’s suffering into a lesson.
The quiet sting is that literature, her own medium, is being humbled here. Morrison isn’t surrendering language; she’s reminding us what it’s up against.
Quote Details
| Topic | Sadness |
|---|---|
| Source | Help us find the source |
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