"You know, Neil Young is singing Rock n' roll will never die, and Neil never rocked and rolled in his life. I mean, he rocked, but he didn't roll. He has got no swing in him"

This quote by Joni Mitchell reflects her crucial perspective on Neil Young's musical design, providing insight into her understanding of what certifies as "rock and roll". By mentioning, "Neil Young is singing Rock n' roll will never ever die", Mitchell acknowledges Young's involvement and significant impact within the rock genre. Young's contributions to rock music, especially during the 1970s with albums like "After the Gold Rush" and "Harvest", positioned him as a vital figure perpetuating the rock ideology.

However, Mitchell goes further to mark in between "rocking" and "rolling", suggesting a nuanced interpretation of what makes up genuine rock-and-roll. When she states, "he rocked, but he didn't roll", it implies that while Young may have embodied specific aspects of rock music-- like its energy, contumacy, and raw sound-- he did not have other aspects, specifically the "roll" which Mitchell appears to correspond with "swing.".

The idea of "swing" typically pertains to rhythm and groove, typically associated with jazz or styles of rock-and-roll that have a danceable quality. It involves a certain fluidity and buoyancy in the music that identifies it from the heavier, typically more uncomplicated driving beats typical of hard rock. Mitchell's review might be viewed as a commentary on Young's design being more reflective and earnest, perhaps concentrating on lyrical depth and storytelling instead of balanced style.

Her words invite a wider discussion about the variety within rock music itself and the several measurements that artists may highlight or neglect. Mitchell's views motivate listeners to believe critically about the parts of rock-and-roll, what they value in the category, and how the legacy of artists like Neil Young continues to evolve. While Young may not "roll" in Mitchell's eyes, his effect on rock transcends any single analysis, showing the category's rich complexity and the subjective nature of musical review.