"You were told how much space so it was a matter of whether you could send in two paintings or three paintings, you know, pending where the show was being held. You did submit work to be accepted. Once you were accepted that was it. You did your own selection of what went in"

In the quote by Lee Krasner, the information of an artist's experience of preparing for an exhibition are articulated. Krasner offers us insight into the process and decision-making aspects associated with showcasing artistic work. Here, the concept of "area" is main. Artists are informed about the physical limits or the capacity offered at an exhibit venue. This spatial awareness is vital as it directly affects how many pieces, like paintings in Krasner's context, an artist can add to a program.

The expression "it referred whether you could send in 2 paintings or three paintings" indicates the useful factors to consider an artist must consider. Each piece sent is a choice that involves consideration on its prospective effect and coherence with the others if numerous works are revealed. The number hinges on the location's scale and stylistic compatibility with the artist's intent.

Krasner likewise highlights the procedure of submission and approval. The submission of work for evaluation is a susceptible yet essential part of the artistic procedure and is implicitly competitive. Once an artist's work is accepted, the artist presumes the role of manager of their own work by deciding on the last pieces to be shown.

The expression "You did your own selection of what entered" highlights personal agency. In spite of the preliminary barriers to entry, as soon as an artist is given the green light, they preserve the flexibility and responsibility to choose how their art exists. This choice shows both an individual and professional evaluation of their work's suitability and contribution to the overarching theme or narrative of the program.

Krasner's words underscore the artist's navigation between external restraints and individual expression-- a vibrant stabilizing act in the life of an expert artist. Her experience exposes the layered duties and choices that eventually shape the general public presentation of creative work.