| A Certain Smile (1956) by Francoise Sagan |
| Aimez-vous Brahms... (1959) by Francoise Sagan |
| Alexander Pope (1880) by Leslie Stephen |
| Bonjour Tristesse (1954) by Francoise Sagan |
| Canaima (1935) by Romulo Gallegos |
| Cantaclaro (1934) by Romulo Gallegos |
| Counter-Statement (1931) by Kenneth Burke |
| Doña Bárbara (1929) by Romulo Gallegos |
| Dramatism and Development (1972) by Kenneth Burke |
| Electric Delights (1978) by William Plomer |
| English Literature and Society in the Eighteenth Century (1904) by Leslie Stephen |
| Ethan Frome (1911) by Edith Wharton |
| Giant Steps: The Remarkable Story of Allan Bloom (1992) by Allan Bloom |
| Hours in a Library (1905) by Leslie Stephen |
| I Speak of Africa (1965) by William Plomer |
| In the Shadow of Islam (2003) by Isabelle Eberhardt |
| La Chamade (1965) by Francoise Sagan |
| La Trepadora (1925) by Romulo Gallegos |
| Love and Friendship (1993) by Allan Bloom |
| Pobre Negro (1937) by Romulo Gallegos |
| Studies of a Biographer (1898) by Leslie Stephen |
| Summer (1917) by Edith Wharton |
| The Age of Innocence (1920) by Edith Wharton |
| The Custom of the Country (1913) by Edith Wharton |
| The Heart-Keeper (1968) by Francoise Sagan |
| The House of Mirth (1905) by Edith Wharton |
| The Invaders (1934) by William Plomer |
| The Last Puritan (1935) by George Santayana |
| The Oblivion Seekers (1975) by Isabelle Eberhardt |
| The Philosophy of Literary Form (1941) by Kenneth Burke |
| Turbott Wolfe (1925) by William Plomer |
| Words andWordsmiths (1930) by Herbert V. Prochnow |
