Beast (1991) by Peter Benchley |
Beast in View (1955) by Margaret Millar |
Bel Canto (2001) by Ann Patchett |
Black and Blue (1998) by Anna Quindlen |
Casino Royale (1953) by Ian Fleming |
Chronicle of a Death Foretold (1981) by Gabriel Garcia Marquez |
Code Orange (2005) by Caroline B. Cooney |
Come, Shadow, Come (1975) by Auberon Waugh |
Diamonds Are Forever (1956) by Ian Fleming |
Do Evil in Return (1950) by Margaret Millar |
Fire Will Freeze (1944) by Margaret Millar |
From Russia with Love (1957) by Ian Fleming |
Imaginary Friend (2019) by Stephen Chbosky |
Jaws (1974) by Peter Benchley |
Live and Let Die (1954) by Ian Fleming |
Misery (1987) by Stephen King |
Moonraker (1955) by Ian Fleming |
Oil Cargoes & Satellites (1980) by Jack Kelley |
Punisher MAX (2004) by Garth Ennis |
Q Clearance (1986) by Peter Benchley |
Rose's Last Summer (1952) by Margaret Millar |
The Boys (2006) by Garth Ennis |
The Deep (1976) by Peter Benchley |
The Devil Loves Me (1942) by Margaret Millar |
The Face on the Milk Carton (1990) by Caroline B. Cooney |
The Game of X (1965) by Robert Sheckley |
The Girl Who Kicked the Hornets' Nest (2007) by Stieg Larsson |
The Girl Who Played with Fire (2006) by Stieg Larsson |
The Girl with the Dragon Tattoo (2005) by Stieg Larsson |
The Guardian (2003) by Nicholas Sparks |
The Invisible Worm (1941) by Margaret Millar |
The Iron Gates (1945) by Margaret Millar |
The Island (1979) by Peter Benchley |
The Man Who Was Thursday (1908) by Gilbert K. Chesterton |
The Missing Head of Damasceno Monteiro (1997) by Antonio Tabucchi |
The Scholars of Night (1988) by John M. Ford |
The Trespassers (1950) by Margaret Lee Runbeck |
The Voice on the Radio (1996) by Caroline B. Cooney |
The Weak-Eyed Bat (1942) by Margaret Millar |
The Witness (2012) by Nora Roberts |
Two Minutes Till Midnight (1955) by Elmer Davis |
Vanish in an Instant (1952) by Margaret Millar |
Wall of Eyes (1943) by Margaret Millar |
White Shark (1994) by Peter Benchley |