| Beast (1991) by Peter Benchley |
| Beast in View (1955) by Margaret Millar |
| Bel Canto (2001) by Ann Patchett |
| Black and Blue (1998) by Anna Quindlen |
| Casino Royale (1953) by Ian Fleming |
| Chronicle of a Death Foretold (1981) by Gabriel Garcia Marquez |
| Code Orange (2005) by Caroline B. Cooney |
| Come, Shadow, Come (1975) by Auberon Waugh |
| Diamonds Are Forever (1956) by Ian Fleming |
| Do Evil in Return (1950) by Margaret Millar |
| Fire Will Freeze (1944) by Margaret Millar |
| From Russia with Love (1957) by Ian Fleming |
| Imaginary Friend (2019) by Stephen Chbosky |
| Jaws (1974) by Peter Benchley |
| Live and Let Die (1954) by Ian Fleming |
| Misery (1987) by Stephen King |
| Moonraker (1955) by Ian Fleming |
| Oil Cargoes & Satellites (1980) by Jack Kelley |
| Punisher MAX (2004) by Garth Ennis |
| Q Clearance (1986) by Peter Benchley |
 Rose's Last Summer (1952) by Margaret Millar |
| The Boys (2006) by Garth Ennis |
| The Deep (1976) by Peter Benchley |
| The Devil Loves Me (1942) by Margaret Millar |
| The Face on the Milk Carton (1990) by Caroline B. Cooney |
| The Game of X (1965) by Robert Sheckley |
| The Girl Who Kicked the Hornets' Nest (2007) by Stieg Larsson |
| The Girl Who Played with Fire (2006) by Stieg Larsson |
| The Girl with the Dragon Tattoo (2005) by Stieg Larsson |
| The Guardian (2003) by Nicholas Sparks |
| The Invisible Worm (1941) by Margaret Millar |
| The Iron Gates (1945) by Margaret Millar |
| The Island (1979) by Peter Benchley |
| The Man Who Was Thursday (1908) by Gilbert K. Chesterton |
| The Missing Head of Damasceno Monteiro (1997) by Antonio Tabucchi |
| The Scholars of Night (1988) by John M. Ford |
| The Trespassers (1950) by Margaret Lee Runbeck |
| The Voice on the Radio (1996) by Caroline B. Cooney |
| The Weak-Eyed Bat (1942) by Margaret Millar |
| The Witness (2012) by Nora Roberts |
| Two Minutes Till Midnight (1955) by Elmer Davis |
| Vanish in an Instant (1952) by Margaret Millar |
| Wall of Eyes (1943) by Margaret Millar |
| White Shark (1994) by Peter Benchley |
