Novel: Not Without Laughter
Overview
Not Without Laughter follows the childhood and coming-of-age of Sandy Rogers, a young African-American boy growing up in a small Kansas town in the early 1900s. The narrative moves through everyday scenes, family meals, neighborhood gatherings, schoolrooms, and church services, while tracking Sandy's shifting understandings of race, class, and personal ambition. The novel balances gentle humor and sharp social observation to portray the ways hope and hardship coexist in a Black Midwestern community.
Main character and setting
Sandy is observant, curious, and shaped by an extended family that represents diverging values. His mother and grandmother exert moral and religious influence, while other relatives and neighbors embody other paths, some pragmatic, some artistic, some resigned to social limits. The Kansas setting is neither purely rural nor urban, giving Hughes room to show a Black community striving for dignity and stability amid economic insecurity and pervasive racial prejudice.
Plot arc
Sandy's development unfolds episodically as he encounters moments that test and expand his understanding of the world. Encounters with teachers, musicians, and older relatives expose him to ideas about education, art, and self-definition. Personal losses and family tensions underline the constraints that racial and economic structures impose, while occasional triumphs, musical performances, academic promise, acts of solidarity, reveal sources of resilience. By the end, Sandy's awareness has deepened: youthful idealism yields to a measured sense of possibility tempered by realism.
Themes and motifs
Race and class run through the narrative, but Hughes resists reducing characters to social types; individuals act with complexity, dignity, and contradiction. Education and music emerge as twin pathways to dignity, schooling offers a route to social mobility, while music provides emotional truth and communal memory. Family relationships carry both warmth and friction, showing how aspirations and fears circulate across generations. Humor and sorrow coexist: laughter becomes a sustaining force rather than mere escape, shaping how characters respond to injustice and loss.
Style and significance
Hughes blends plainspoken realism with lyrical touches and a sympathetic ear for dialogue and song, creating a vivid, humane portrait of ordinary lives. The prose honors the rhythms of speech and the moral logic of the community without romanticizing hardship. Published during the Harlem Renaissance, the novel complements Hughes's poetry by turning his attention to Midwestern Black life and to a younger protagonist's point of view. Its lasting significance lies in treating everyday experience as worthy of literary attention and in insisting that cultural life, education, music, worship, humor, matters as much as political protest in shaping identity and possibility.
Citation Formats
APA Style (7th ed.)
Not without laughter. (2025, September 13). FixQuotes. https://fixquotes.com/works/not-without-laughter/
Chicago Style
"Not Without Laughter." FixQuotes. September 13, 2025. https://fixquotes.com/works/not-without-laughter/.
MLA Style (9th ed.)
"Not Without Laughter." FixQuotes, 13 Sep. 2025, https://fixquotes.com/works/not-without-laughter/. Accessed 12 Feb. 2026.
Not Without Laughter
Not Without Laughter is a coming-of-age story about a young African-American boy named Sandy Rogers, who grows up in Kansas during the early 1900s. The novel explores themes of race, class, and family relationships, as well as the importance of education, art, and music in the African-American community.
- Published1930
- TypeNovel
- GenreFiction
- LanguageEnglish
- CharactersSandy Rogers, Annjee, Jimboy, Aunt Hager, Tempy, Harriet
About the Author

Langston Hughes
Langston Hughes, a key figure of the Harlem Renaissance known for his poetry and advocacy for civil rights.
View Profile- OccupationPoet
- FromUSA
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Other Works
- The Ways of White Folks (1934)
- Montage of a Dream Deferred (1951)
- I Wonder as I Wander (1956)
- Simply Heavenly (1957)
- Black Nativity (1961)