Essay: The Urban Guerilla Concept
Overview
"The Urban Guerilla Concept" presents Ulrike Meinhof's articulation of armed struggle as a political strategy amid West Germany's late-1960s radicalization. The essay frames urban guerrilla warfare as a response to what Meinhof describes as entrenched state power, capitalist structures, and the failures of legal, parliamentary avenues to address oppression. It situates violent militancy as an extension of broader international revolutionary currents and as a deliberate break with reformist leftism.
Meinhof writes from the perspective of a militant committed to uprooting institutional violence, arguing that confrontational tactics are a logical outcome of systemic injustices. The piece is both polemical and programmatic, meant to justify and conceptualize the turn from protest to clandestine armed activity rather than to serve as a technical manual.
Arguments and Themes
A central theme is moral and political justification: Meinhof challenges the legitimacy of a state that, she claims, maintains order through coercion, repression, and collaboration with global power structures. She frames the urban guerrilla as a form of resistance that exposes state violence and disrupts the normal functioning of political life, thereby making oppression visible and contestable. There is an emphasis on solidarity with anti-colonial and revolutionary movements elsewhere, linking local struggles to a global anti-imperialist narrative.
Another recurring motif is the critique of conventional left politics. Meinhof rejects gradualism and electoral strategies as inadequate given the perceived scale of social injustice. She emphasizes autonomy, rupture, and the need for a revolutionary subject willing to accept clandestinity and confrontation. Throughout, rhetorical devices stress urgency, moral clarity, and a sense of historical determinism that frames armed struggle as both necessary and inevitable.
Strategic Framing (non-operational)
The essay outlines strategic principles rather than giving step-by-step instructions. Meinhof discusses the urban guerrilla as a political actor whose actions are intended to create political pressure, symbolically challenge authority, and ignite wider resistance. Targets are described in political and symbolic terms , institutions of state power, corporate entities seen as complicit in oppression, and other structures of capitalist rule , but the treatment emphasizes political impact over technical detail.
Meinhof treats clandestine organization, solidarity networks, and the cultivation of political consciousness as important components of the strategy. Her discussion privileges the ideological and communicative effects of militant action, framing operations as interventions designed to reconfigure public discourse and demonstrate the limits of peaceful protest, rather than as ends in themselves.
Context and Legacy
The essay must be understood in the context of intense social unrest: student movements, debates over Germany's Nazi past, global anti-imperialist struggles, and escalating confrontations between activists and authorities. Its arguments reflect a moment when parts of the radical left believed that only revolutionary rupture could dismantle entrenched power relations. Meinhof's subsequent involvement with the group commonly called the Baader-Meinhof gang makes the essay both a manifesto of intent and a historical document of the militant left in early-1970s Germany.
Reception has been deeply polarized. Supporters saw it as a principled critique of state violence; critics condemned its endorsement of militancy and warned of the moral and practical consequences of armed action. Historically, the essay figures in debates about political violence, state response, and the ethics of resistance, continuing to provoke discussion about the boundaries between protest, militancy, and terrorism.
"The Urban Guerilla Concept" presents Ulrike Meinhof's articulation of armed struggle as a political strategy amid West Germany's late-1960s radicalization. The essay frames urban guerrilla warfare as a response to what Meinhof describes as entrenched state power, capitalist structures, and the failures of legal, parliamentary avenues to address oppression. It situates violent militancy as an extension of broader international revolutionary currents and as a deliberate break with reformist leftism.
Meinhof writes from the perspective of a militant committed to uprooting institutional violence, arguing that confrontational tactics are a logical outcome of systemic injustices. The piece is both polemical and programmatic, meant to justify and conceptualize the turn from protest to clandestine armed activity rather than to serve as a technical manual.
Arguments and Themes
A central theme is moral and political justification: Meinhof challenges the legitimacy of a state that, she claims, maintains order through coercion, repression, and collaboration with global power structures. She frames the urban guerrilla as a form of resistance that exposes state violence and disrupts the normal functioning of political life, thereby making oppression visible and contestable. There is an emphasis on solidarity with anti-colonial and revolutionary movements elsewhere, linking local struggles to a global anti-imperialist narrative.
Another recurring motif is the critique of conventional left politics. Meinhof rejects gradualism and electoral strategies as inadequate given the perceived scale of social injustice. She emphasizes autonomy, rupture, and the need for a revolutionary subject willing to accept clandestinity and confrontation. Throughout, rhetorical devices stress urgency, moral clarity, and a sense of historical determinism that frames armed struggle as both necessary and inevitable.
Strategic Framing (non-operational)
The essay outlines strategic principles rather than giving step-by-step instructions. Meinhof discusses the urban guerrilla as a political actor whose actions are intended to create political pressure, symbolically challenge authority, and ignite wider resistance. Targets are described in political and symbolic terms , institutions of state power, corporate entities seen as complicit in oppression, and other structures of capitalist rule , but the treatment emphasizes political impact over technical detail.
Meinhof treats clandestine organization, solidarity networks, and the cultivation of political consciousness as important components of the strategy. Her discussion privileges the ideological and communicative effects of militant action, framing operations as interventions designed to reconfigure public discourse and demonstrate the limits of peaceful protest, rather than as ends in themselves.
Context and Legacy
The essay must be understood in the context of intense social unrest: student movements, debates over Germany's Nazi past, global anti-imperialist struggles, and escalating confrontations between activists and authorities. Its arguments reflect a moment when parts of the radical left believed that only revolutionary rupture could dismantle entrenched power relations. Meinhof's subsequent involvement with the group commonly called the Baader-Meinhof gang makes the essay both a manifesto of intent and a historical document of the militant left in early-1970s Germany.
Reception has been deeply polarized. Supporters saw it as a principled critique of state violence; critics condemned its endorsement of militancy and warned of the moral and practical consequences of armed action. Historically, the essay figures in debates about political violence, state response, and the ethics of resistance, continuing to provoke discussion about the boundaries between protest, militancy, and terrorism.
The Urban Guerilla Concept
Original Title: Das Stadtguerilla Konzept
Meinhof's essay summarizing the strategies and tactics of the Baader-Meinhof gang, a left-wing militant group in Germany during the late 1960s and early 1970s.
- Publication Year: 1971
- Type: Essay
- Genre: Politics, Revolution
- Language: German
- View all works by Ulrike Meinhof on Amazon
Author: Ulrike Meinhof

More about Ulrike Meinhof
- Occup.: Journalist
- From: Germany
- Other works:
- Columns (1959 Book)
- Bambule (1970 Screenplay)
- Everybody talks about the weather...We don't (2008 Book)