The Will to Technology and the Culture of Nihilism: Heidegger, Nietzsche, and Marx
Overview
Arthur Kroker traces how contemporary technological systems and market forces generate a pervasive culture of nihilism by drawing sustained connections among Heidegger, Nietzsche, and Marx. He reads technology not as neutral instrumentation but as an active force reshaping human meaning, subjectivity, and social relations. The "will to technology" becomes a diagnostic phrase for an epoch in which technological rationality and capitalist imperatives dissolve traditional sources of value and authority.
Kroker situates his critique within the accelerating digital and information age, arguing that new media, networks, and cybernetic systems intensify tendencies already visible in modernity: commodification, instrumental reason, and the erosion of depth in cultural life. The work aims to map how philosophical diagnoses of nihilism remain vital for understanding contemporary political and cultural transformations.
Core argument
The central contention is that technology has become a formative will that channels human desires and organizes social life around efficiency, calculation, and control. Drawing on Nietzsche, Kroker depicts this will as a variant of the "will to power" that no longer manifests through individual grandeur but through systems that subsume individuality into systemic function. Heidegger's analysis of "enframing" provides the vocabulary to show how technological thinking reduces beings to resources and strips human experience of meaningful disclosure.
Marx supplies the account of how capitalist relations harness technological capacity toward accumulation and atomization, converting life into exchangeable value. The synthesis of these three thinkers enables Kroker to argue that nihilism today is not merely a philosophical problem of meaning but a structural condition produced by technological capitalism.
Heidegger, Nietzsche, Marx: interlocking diagnostics
Kroker reads Heidegger as diagnosing the ontological effects of technological enframing: a mode of revealing that flattens existence into quantifiable presence. Nietzsche offers the genealogy of values and the sense that modernity's loss of metaphysical anchors produces nihilistic consequences. Marx complements both by explaining how economic structures materialize these tendencies, turning social life into commodity and labor into abstracted inputs for production.
The interplay among them allows Kroker to move from abstract diagnosis to cultural analysis: nihilism is experienced in everyday practices, mediated by screens, markets, and bureaucratic systems that reward utility over meaningful ends.
Technology, media, and the digitized economy
Kroker attends to concrete phenomena of the digital age, information networks, multimedia, biotechnology, and surveillance, to show how they instantiate the will to technology. Media environments produce fragments of attention, simulation, and hyperreality that erode stable identities and communal bonds. Information capitalism accelerates commodification, making social relations and subjectivity legible primarily as data streams to be exploited for profit and governance.
The result is a cultural landscape where authenticity is replaced by circulation, where political agency is mediated by algorithms and corporate platforms, and where the promise of liberation through technology is often reversed into new forms of domination.
Political and ethical implications
Kroker warns that complacency about technological neutrality risks surrendering political imagination. If technology and market logic define what counts as meaningful, resistance requires both critique and inventive praxis. Recovering sites of value demands rethinking work, leisure, and democratic participation in ways that contest commodification and reassert human significances beyond calculative ends.
Rather than offering technological determinism, Kroker gestures toward strategies of appropriation, aesthetic critique, and political organization that might disrupt the feedback loops sustaining nihilism. Ethical reflection must accompany technological design and deployment to prevent further colonization of life by instrumental reason.
Conclusion
The Will to Technology and the Culture of Nihilism stages a philosophical and cultural diagnosis of the late-capitalist condition, insisting that technology plays an active, constitutive role in producing modern nihilism. By weaving Heidegger's ontological concerns, Nietzsche's genealogical insight, and Marx's political economy, Kroker provides a framework for understanding how digital culture and market imperatives work together to hollow out meaning. The book closes on the imperative to reclaim human purposiveness through critical thought, collective action, and renewed attention to the ethical dimensions of technological life.
Arthur Kroker traces how contemporary technological systems and market forces generate a pervasive culture of nihilism by drawing sustained connections among Heidegger, Nietzsche, and Marx. He reads technology not as neutral instrumentation but as an active force reshaping human meaning, subjectivity, and social relations. The "will to technology" becomes a diagnostic phrase for an epoch in which technological rationality and capitalist imperatives dissolve traditional sources of value and authority.
Kroker situates his critique within the accelerating digital and information age, arguing that new media, networks, and cybernetic systems intensify tendencies already visible in modernity: commodification, instrumental reason, and the erosion of depth in cultural life. The work aims to map how philosophical diagnoses of nihilism remain vital for understanding contemporary political and cultural transformations.
Core argument
The central contention is that technology has become a formative will that channels human desires and organizes social life around efficiency, calculation, and control. Drawing on Nietzsche, Kroker depicts this will as a variant of the "will to power" that no longer manifests through individual grandeur but through systems that subsume individuality into systemic function. Heidegger's analysis of "enframing" provides the vocabulary to show how technological thinking reduces beings to resources and strips human experience of meaningful disclosure.
Marx supplies the account of how capitalist relations harness technological capacity toward accumulation and atomization, converting life into exchangeable value. The synthesis of these three thinkers enables Kroker to argue that nihilism today is not merely a philosophical problem of meaning but a structural condition produced by technological capitalism.
Heidegger, Nietzsche, Marx: interlocking diagnostics
Kroker reads Heidegger as diagnosing the ontological effects of technological enframing: a mode of revealing that flattens existence into quantifiable presence. Nietzsche offers the genealogy of values and the sense that modernity's loss of metaphysical anchors produces nihilistic consequences. Marx complements both by explaining how economic structures materialize these tendencies, turning social life into commodity and labor into abstracted inputs for production.
The interplay among them allows Kroker to move from abstract diagnosis to cultural analysis: nihilism is experienced in everyday practices, mediated by screens, markets, and bureaucratic systems that reward utility over meaningful ends.
Technology, media, and the digitized economy
Kroker attends to concrete phenomena of the digital age, information networks, multimedia, biotechnology, and surveillance, to show how they instantiate the will to technology. Media environments produce fragments of attention, simulation, and hyperreality that erode stable identities and communal bonds. Information capitalism accelerates commodification, making social relations and subjectivity legible primarily as data streams to be exploited for profit and governance.
The result is a cultural landscape where authenticity is replaced by circulation, where political agency is mediated by algorithms and corporate platforms, and where the promise of liberation through technology is often reversed into new forms of domination.
Political and ethical implications
Kroker warns that complacency about technological neutrality risks surrendering political imagination. If technology and market logic define what counts as meaningful, resistance requires both critique and inventive praxis. Recovering sites of value demands rethinking work, leisure, and democratic participation in ways that contest commodification and reassert human significances beyond calculative ends.
Rather than offering technological determinism, Kroker gestures toward strategies of appropriation, aesthetic critique, and political organization that might disrupt the feedback loops sustaining nihilism. Ethical reflection must accompany technological design and deployment to prevent further colonization of life by instrumental reason.
Conclusion
The Will to Technology and the Culture of Nihilism stages a philosophical and cultural diagnosis of the late-capitalist condition, insisting that technology plays an active, constitutive role in producing modern nihilism. By weaving Heidegger's ontological concerns, Nietzsche's genealogical insight, and Marx's political economy, Kroker provides a framework for understanding how digital culture and market imperatives work together to hollow out meaning. The book closes on the imperative to reclaim human purposiveness through critical thought, collective action, and renewed attention to the ethical dimensions of technological life.
The Will to Technology and the Culture of Nihilism: Heidegger, Nietzsche, and Marx
It critically engages with the philosophers Martin Heidegger, Friedrich Nietzsche, and Karl Marx, exploring their ideas on technology, nihilism, and the culture of the digital age.
- Publication Year: 2004
- Type: Book
- Genre: Philosophy, Cultural Theory
- Language: English
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Author: Arthur Kroker

More about Arthur Kroker
- Occup.: Author
- From: Canada
- Other works:
- Technology and the Canadian Mind: Innis, McLuhan, and Grant (1984 Book)
- The Postmodern Scene: Excremental Culture and Hyper-Aesthetics (1986 Book)
- Panic Encyclopedia: The Definitive Guide to the Postmodern Scene (1989 Book)
- Data Trash: The Theory of the Virtual Class (1994 Book)
- Body Drift: Butler, Hayles, Haraway (2012 Book)