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Colleen Atwood Biography

Colleen Atwood, Designer
Occup.Designer
FromUSA
BornSeptember 25, 1948
Yakima, Washington, U.S.
Age76 years
Colleen Atwood, born on September 25, 1950, in Yakima, Washington, United States, is a distinguished outfit designer known for her incredible payments to film, television, as well as movie theater. With a renowned job covering greater than 3 years, she has actually established herself as one of the sector's primary innovative numbers, making outfits for a diverse selection of tasks and categories.

Atwood's journey into the globe of costume layout started with an interest in fashion and art, which took her to New York City to study at the prominent Fashion Institute of Technology in the early 1970s. After apprenticing under numerous noticeable developers, she landed her initial movie task on the set of Milos Forman's "Ragtime" in 1981.

Since then, Atwood has worked with numerous jobs, with remarkable collaborations along with prominent directors such as Tim Burton, Rob Marshall, and Jonathan Demme. Her collaboration with Burton, specifically, has actually created some of her most iconic jobs, with movies such as "Edward Scissorhands", "Sleepy Hollow", "Big Fish", and also "Alice in Wonderland". These projects showcased Atwood's capacity to produce aesthetically striking, memorable outfits that assist specify the total aesthetic of a film.

Colleen Atwood's skills prolong past just film, with her work likewise being featured in Broadway manufacturings like "Breakfast at Tiffany's" and the rebirth of "Grease", in addition to television series like Neil Gaiman's "American Gods". Throughout her profession, she has teamed up with esteemed actors and starlets, such as Johnny Depp, Meryl Streep, and also Helena Bonham Carter.

Atwood's achievements have actually not gone unnoticed, as she has actually obtained many honors and also honors for her costume design job. She is a ten-time candidate as well as four-time Academy Award winner for Best Costume Design, having actually gained respected Oscars for her work with "Chicago", "Memoirs of a Geisha", "Alice in Wonderland", and "Fantastic Beasts and Where to Find Them". In addition, she has actually additionally won two BAFTA Awards, five Costume Designers Guild Awards, as well as a Tony Award nomination for her operate in theater.

Throughout her occupation, Colleen Atwood has actually shown extraordinary imaginative ability in addition to a keen understanding of the characters and tales she aids give birth to. Her developments not only provide visual allure but likewise show the individualities as well as motivations of the characters, boosting the total storytelling process.

In spite of her amazing expert achievements, Atwood is known for her humbleness and also joint spirit. Colleagues and also good friends have described her as a specialized artist that constantly seeks new obstacles and pursues quality in every project she undertakes.

As she continues to offer her creative expertise to jobs across different tools, Colleen Atwood stands as an obvious imaginative force in the world of outfit style. Her excellent body of work leaves a long lasting legacy, motivating aiming designers as well as musicians for generations to find.

Our collection contains 17 quotes who is written / told by Colleen.

Related authors: Neil Gaiman (Author), Helena Bonham Carter (Actress), Tim Burton (Director), Milos Forman (Director), Jonathan Demme (Director), Meryl Streep (Actress), Johnny Depp (Actor)

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17 Famous quotes by Colleen Atwood

Small: In real life, a lot of people at that level will have their kimonos made especially for them
"In real life, a lot of people at that level will have their kimonos made especially for them"
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Small: The costumes had to serve the choreography
"The costumes had to serve the choreography"
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Small: Ive always loved movies, art and clothes
"I've always loved movies, art and clothes"
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Small: On Planet of the Apes, I had a very knowledgeable team who knew good materials, but I had one main sour
"On Planet of the Apes, I had a very knowledgeable team who knew good materials, but I had one main source person who worked online and on the street continually looking for the proper materials"
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Small: Id seen the current stage production and the 1975 production of Chicago. I liked them both very much, b
"I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration"
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Small: The reward is that you can actually create a world separate from reality with a story, actors, music, a
"The reward is that you can actually create a world separate from reality with a story, actors, music, and camera design. When it works it can entertain, move people and teach us all"
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Small: Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie
"Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie"
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Small: I had to work out that it was something that could move, without having everybody in spray painted leot
"I had to work out that it was something that could move, without having everybody in spray painted leotards"
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Small: Costumes are the first impression that you have of the character before they open their mouth-it really
"Costumes are the first impression that you have of the character before they open their mouth-it really does establish who they are"
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Small: The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes
"The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes of today. If we'd gone strictly with the '20s, the movement would have been impaired"
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Small: Knowing who the actors were as you were designing them helped, with Catherines beauty and Renees frailt
"Knowing who the actors were as you were designing them helped, with Catherine's beauty and Renee's frailty, they directed me visually just by who they were"
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Small: In Chicago, I walked in knowing what the dancers were going to need
"In Chicago, I walked in knowing what the dancers were going to need"
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Small: If you want someone to feel warm, you dress them in a warm color and put a warm light on them and you g
"If you want someone to feel warm, you dress them in a warm color and put a warm light on them and you get the picture. Sometimes, all that needs pushing a little bit to help tell the story"
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Small: Planet of the Apes was a gigantic challenge, making the clothes work so people could do stunts and acti
"Planet of the Apes was a gigantic challenge, making the clothes work so people could do stunts and action in the clothes. I really learned a lot about that in that movie"
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Small: Each simian had a much different body suit, so besides trying to define class across species, there was
"Each simian had a much different body suit, so besides trying to define class across species, there was a definite attempt to dress each group in different styles"
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Small: As a designer, you have to solve a lot of problems. Even though people are wearing clothes that are sup
"As a designer, you have to solve a lot of problems. Even though people are wearing clothes that are supposed to look beautiful, they'll have to do all kinds of things"
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Small: Some of the kimonos took as long as four to five months to make, with all the layers that go into it
"Some of the kimonos took as long as four to five months to make, with all the layers that go into it"
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