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Peter Bart Biography

Peter Bart, Editor
Born asPeter Benton Bart
Occup.Editor
FromUSA
SpousesDorothy Callmann ​(1961-1981)​
Leslie Cox ​(1982-2005)​
Phyllis Fredette ​(2008-)
BornJuly 24, 1932
New York City, New York, USA
Age91 years
Peter Bart, born in 1932 in New York City City, is a renowned American journalist, movie manufacturer, and studio exec understood for his distinctive effect on the show business. Throughout his remarkable profession covering a number of years, Bart became a powerful figure in Hollywood as well as promoted the growth as well as manufacturing of numerous innovative films.

Growing up in a household with an abundant journalistic history, Bart naturally gravitated towards journalism and also writing. He graduated from Swarthmore College and later on pursued his academic degree from the Columbia University School of Journalism. Upon completing his education, Bart began his journalism occupation at The New York Times in 1957 as an international reporter based in Rome. He remained to contribute to the paper by reporting as well as evaluating foreign movies.

In 1967, in a substantial departure from his journalism career, Peter Bart took on the challenging role of an executive at Paramount Pictures. Bart's intuitive understanding of the movie company led to significant accomplishments throughout his time at the business. Together with the senior administration group, that included manufacturing heads Robert Evans as well as Charles Bluhdorn, Bart played an instrumental function in the production of groundbreaking movies such as "The Godfather", "Rosemary's Baby", "Harold and Maude", "Love Story", as well as "Chinatown". These films took place to have a profound impact on the sector, strengthening Bart's credibility as a significant exec.

After his tenure at Paramount, Bart worked as Senior Vice President and Executive Editor at Metro-Goldwyn-Mayer (MGM) from 1975 to 1978. He was later on connected with Lorimar Productions, where his proficiency as a creative executive assisted in the manufacturing of successful movies such as "Being There" and also "The Postman Always Rings Twice".

In 1989, Peter Bart went back to journalism as Editor-in-Chief of Variety, among the sector's most valued amusement profession magazines. During his virtually 20-year period at Variety, Bart renewed the publication as well as changed it into a vital resource for the home entertainment world. He concentrated on editorial quality and also expanded the coverage of both residential and also worldwide movie as well as tv industries. Under Bart's leadership, Variety came to be an authoritative voice for the show business as well as a relied on source of information for numerous readers globally.

Peter Bart authored numerous books encompassing sector insights and insider perspectives, consisting of "Fade Out: The Calamitous Final Days of MGM", "The Gross: The Hits, the Flops-- The Summer that Ate Hollywood", and "Boffo! How I Learned to Love the Blockbuster as well as Fear the Bomb".

Throughout his career, Peter Bart functioned very closely with a constellation of reputed filmmakers and also executives, consisting of Francis Ford Coppola, Roman Polanski, and also Sidney Lumet. His journey from international contributor to movie executive as well as later on as Editor-in-Chief of Variety is a testament to his interest for the arts and also the entertainment industry.

Now in his late 80s, Peter Bart continues to be energetic in the movie and also journalism spheres. His columns and reviews bring the weight of his vast experience as well as continue to be a revered source of insight and discourse in Hollywood.

Our collection contains 20 quotes who is written / told by Peter.

Related authors: Leonard Maltin (Critic), Francis Ford Coppola (Director), Roman Polanski (Director), Robert Evans (Director)

Peter Bart Famous Works:
Source / external links:

20 Famous quotes by Peter Bart

Small: The model today is that as much as 70 percent of the financing of the picture would come from overseas.
"The model today is that as much as 70 percent of the financing of the picture would come from overseas. Now we're beginning to run out of suckers, because there are not that many people overseas who are willing to put up more than half the money for a movie"
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Small: The green-light meeting, when I first started at Paramount, would consist of maybe three or four of us
"The green-light meeting, when I first started at Paramount, would consist of maybe three or four of us in a room. Perhaps two or three of us would have read the script under discussion"
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Small: Its only in relatively recent years that Hollywood became the playground of multinational corporations
"It's only in relatively recent years that Hollywood became the playground of multinational corporations which regard movies and TV shows as a minor irritant to their overall activity"
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Small: A green-light meeting is when the decision is made finally whether or not to make a given picture
"A green-light meeting is when the decision is made finally whether or not to make a given picture"
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Small: Historically, filmmakers always fall in love with every frame, but now that even neophytes are given fi
"Historically, filmmakers always fall in love with every frame, but now that even neophytes are given final cut, this love affair carries with it serious economic implications"
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Small: The green-light decision process today consists of maybe of 30 or 40 people
"The green-light decision process today consists of maybe of 30 or 40 people"
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Small: The biggest danger of Hollywood becoming a purely corporate town resides in the creative process
"The biggest danger of Hollywood becoming a purely corporate town resides in the creative process"
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Small: Thats how you get surprises, because what movies are all about is surprises
"That's how you get surprises, because what movies are all about is surprises"
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Small: One of Brandos problems is that he cant have a conversation with anyone
"One of Brando's problems is that he can't have a conversation with anyone"
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Small: Analyses of the movie marketplace points to an interesting phenomenon: High-profile movies are continui
"Analyses of the movie marketplace points to an interesting phenomenon: High-profile movies are continuing to do well year-to-year in the U.S. and overseas - this past summer, for example, the top 10 movies registered at the same level as in '04"
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Small: The major media companies are significantly reducing their financial commitment to the motion picture s
"The major media companies are significantly reducing their financial commitment to the motion picture sector"
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Small: Substantially fewer films will be produced over the next year or two. And a significant portion of the
"Substantially fewer films will be produced over the next year or two. And a significant portion of the production costs of the reduced slate will be borne by hedge funds and other investment groups"
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Small: Most movie-goers are overdosing on star coverage its the ultimate example of too much information
"Most movie-goers are overdosing on star coverage; it's the ultimate example of too much information"
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Small: Michael Eisner let it be known last week that he had no intention of leaving the entertainment business
"Michael Eisner let it be known last week that he had no intention of leaving the entertainment business once he steps down as CEO of Disney in October"
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Small: It really hasnt been demonstrated at any level by any major corporation that it can nurture what is eup
"It really hasn't been demonstrated at any level by any major corporation that it can nurture what is euphemistically called creativity"
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Small: Hollywood is going to have to find a way of meeting those profit goals
"Hollywood is going to have to find a way of meeting those profit goals"
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Small: Though gay lifestyles have certainly moved into the open, theres little evidence that society has becom
"Though gay lifestyles have certainly moved into the open, there's little evidence that society has become more open in its basic attitudes or that entertainers should feel cozy in emerging from the velvet underground"
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Small: Study the public behavior of top stars and you can detect a keen attentiveness to brand value
"Study the public behavior of top stars and you can detect a keen attentiveness to brand value"
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Small: I wasnt hanging around the movie theaters in New York where I grew up, a Manhattan brat
"I wasn't hanging around the movie theaters in New York where I grew up, a Manhattan brat"
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Small: Were going to see a very, very commercial kind of picture-making
"We're going to see a very, very commercial kind of picture-making"
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