Album: The Rhythm of the Saints

Overview
"The Rhythm of the Saints" is a critically acclaimed album by American singer-songwriter Paul Simon, released in 1990. It is Simon's eighth solo album and the follow-up to his 1986 hit album, "Graceland". Known for its exploration of the combination in between standard African, Brazilian, and Afro-Cuban rhythms and Simon's signature pop songwriting, "The Rhythm of the Saints" helped continue Simon's effective reinvention as a world music enthusiast. The album peaked at number 4 on the US Billboard 200 chart and was accredited 2x platinum by RIAA.

Background and Recording
After the immense success of "Graceland", Simon faced the obstacle of developing a follow-up to the groundbreaking collection of tunes greatly influenced by South African rhythms and tunes. To do so, he decided to immerse himself in another musical culture entirely, choosing the music of Brazil as his muse.

Simon took a trip to Brazil and hung out experiencing the rhythms of the regional music, consisting of going to drumming sessions arranged by Afro-Brazilian musician Arto Lindsay. He was particularly inspired by the percussion-heavy Olodum band, a part of the Salvador da Bahia's Carnival, and a drumming group called Grupo Cultural Olodum.

With the assistance of manufacturer Paul Simon, they taped percussion sessions in Pelourinho, Salvador, later integrating these tracks into the backbone of several songs on the album. More recording sessions happened in New York City, where Simon got several popular session artists, such as guitarist J.J. Cale, saxophonist Michael Brecker, and drummer Steve Gadd.

Music and Lyrics
The central theme of "The Rhythm of the Saints" is the marital relationship of African, Brazilian, and Afro-Cuban rhythms with Simon's introspective and poetic lyrics. The album's abundant and intricate soundscape consists of the syncopated rhythms from Brazil's Northeast, along with a speculative mix of acoustic guitar lines and electronic loops.

Numerous tracks on the album display Simon's signature storytelling songwriting style, reviewing his observations of individuals and society. Some tunes, like "Born at the Right Time" and "Can't Run But", discuss themes of fate, choices, and vulnerability. Others, like "The Obvious Child", take a look at the passage of time and life's unavoidable shifts.

Release and Reception
Launched on October 16, 1990, "The Rhythm of Saints" received favorable reviews from critics and fans alike. While some felt the album did not quite reach the heights of its predecessor "Graceland", the creative endeavor was still largely appreciated. The album earned Simon three Grammy elections in 1992, including Album of the Year, Best World Music Album, and Best Engineered Album, Non-Classical.

"The Rhythm of the Saints" spawned successful songs such as "The Obvious Child", "Proof", "Born at the Right Time" and "Can't Run But". These songs got regular airplay on both pop and adult contemporary radio stations, proving Simon's ability to blend varying music designs throughout popular categories.

Tradition
For many years, "The Rhythm of the Saints" has supported its track record as a groundbreaking and extremely influential record. The album strengthened Paul Simon's status as an innovator and risk-taker, unafraid to mix diverse musical designs and introduce his audience to brand-new noises and cultures. The album's experimental and genre-defying nature have actually made it a classic, still popular and examined years after its release.