Album: This Is How I Feel About Jazz

Introduction
"This Is How I Feel About Jazz" is the launching album of Quincy Jones, released in 1956. Produced by Creed Taylor and released by ABC-Paramount Records, it features an impressive lineup of musicians, with Jones acting as the conductor and arranger. At the age of 23, this was Jones' first significant effort as a bandleader, showcasing his special talent for integrating various music designs and providing a dynamic collection of tracks. The album highlights Quincy Jones' flexible style, as he takes the listener through a journey of jazz history, presenting a wide range of noises and arrangements.

Background and Recording
Quincy Jones' prodigious talent was already obvious when he turned into one of the youngest artists to join Lionel Hampton's band in 1951. He later on went on to work as an author, arranger, and trumpeter for the Dizzy Gillespie Orchestra. "This Is How I Feel About Jazz" captures Jones during his transition from being an entertainer to a full-time arranger and composer.

Tape-recorded over 3 different sessions in 1956, the album features a who's who of jazz at the time: Art Farmer, Jerome Richardson, Phil Woods, Hank Jones, Charles Mingus, Milt Jackson, and Lucky Thompson, to name a few. Each recording session featured a various lineup, showcasing the adaptability and dynamic of Jones' arrangements and offering each session its special flavor.

Music Arrangements and Style
The album offers a remarkable photo of Jones' early setting up design, blending bebop, cool jazz, and huge band idioms into a coherent whole. With plans of compositions by a range of artists, consisting of Count Basie, Duke Ellington, and Dizzy Gillespie, "This Is How I Feel About Jazz" illustrates Quincy Jones' deep-rooted appreciation and understanding of different jazz styles.

Tracks such as "Stockholm Sweetnin'" show the cool jazz style, with smooth consistencies and detailed plans. On the other hand, "Boo's Blues" showcases a quintessential bebop composition, with a quick pace, complex harmonies, and strong solos. Another emphasize, "Evening in Paris", records the huge band noise with a complete ensemble and dynamic plans. Jones successfully links these diverse designs, demonstrating his exceptional musical intuition and a strong foundation in jazz history.

Vital Reception
Upon its release, "This Is How I Feel About Jazz" was popular, with critics praising Jones for his innovative method to setting up and his eclectic selection of material. The album demonstrated Jones' understanding of the different jazz designs and his capability to mix them seamlessly within the structure of his plans. As a result, "This Is How I Feel About Jazz" became a landmark debut, foreshadowing the remarkable profession of Quincy Jones and strengthening his status as one of the greatest musical minds of his generation.

Legacy and Influence
More than 6 years later on, "This Is How I Feel About Jazz" remains an essential listen for anybody interested in the early career of Quincy Jones or the advancement of modern jazz. The album's innovative plans and special mix of designs ended up being the blueprint for much of Jones' future ventures in numerous genres of music. Quincy Jones quickly established himself as a groundbreaking producer, composer, and arranger, dealing with some of the most prominent artists, such as Michael Jackson, Frank Sinatra, and Ella Fitzgerald. "This Is How I Feel About Jazz" stands as a testament to Jones' undeviating commitment to creative expedition and his commitment to pushing the borders in the world of music.