Album: Symphonies Nos. 35 "Haffner", 39, 40 (Cleveland Orchestra feat. conductor: George Szell)

Introduction
Symphonies Nos. 35 "Haffner", 39, and 40 are masterpieces by the terrific composer Wolfgang Amadeus Mozart, and their 1960 efficiency by the Cleveland Orchestra, conducted by the legendary George Szell, is a musical gem. This recording is considered by numerous to be one of the finest interpretations of these Mozart symphonies ever tape-recorded, thanks to the impressive efficiency by the Cleveland Orchestra and Szell's informative and enthusiastic interpretation of the works.

Symphony No. 35 "Haffner"
This symphony was initially composed in 1782 for the Haffner household's event of Sigmund Haffner the Younger's ennoblement. The work's main title, "Haffner Symphony", shows the family's patronage. The Symphony No. 35 "Haffner" has 4 movements-- Allegro con spirito, Andante, Menuetto, and Presto.

The opening Allegro con spirito movement begins with a grand and imposing introduction, displaying the characteristic energy and playfulness of Mozart's symphonic writing. The driving rhythm and abundant orchestration set the tone for the rest of the symphony.

The Andante motion offers a mild respite from the strength of the first motion. It features a lovely, fragile tune, and is defined by its stylish simplicity. The strings are the focus of this movement, playing a poignant and meaningful style.

The third movement, Menuetto, is a dynamic and perky minuet, showcasing Mozart's mastery of writing for a dance form. This is followed by the Trio, which is typically considered among Mozart's most sophisticated examples of this genre.

Finally, the Presto finale is an exhilarating race to the goal. Filled with vibrant energy and vitality, this movement showcases the author's remarkable imagination and technical prowess.

Symphony No. 39
The Symphony No. 39 in E-flat major, composed in 1788, is the very first of the last symphonies Mozart composed prior to his unforeseen death in 1791. This symphony is identified by its vibrancy, elegance, and balanced energy, with the orchestration now consisting of clarinets in addition to the conventional symphonic ensemble.

The first motion, Adagio-- Allegro, starts with a brief sluggish introduction prior to transitioning into a lively and energetic Allegro. The 2nd motion, Andante con moto, features a sophisticated dialogue between the strings and the winds, particularly in between the very first violins and the clarinets.

The 3rd motion, Menuetto: Allegretto, is an advanced and stylish minuet, dancing with dynamic energy. This motion offers an easy going reprieve prior to the ending.

The last movement, Allegro, is a spirited conclusion to the symphony, with the rhythm and vigor that are trademarks of Mozart's symphonic writing, showcasing his penchant for elaborate and vibrant harmonic progressions.

Symphony No. 40
Mozart's Symphony No. 40 in G small, also made up in 1788, is perhaps his most popular symphony and among his most psychological and expressive works. Written in an unusual and remarkable secret for the time, the symphony features four movements-- Molto allegro, Andante, Menuetto, and Allegro assai.

The Molto allegro initially movement showcases an agitated and uneasy primary theme with elaborate counterpoint and chromatic aspects, revealing Mozart's proficiency in handling musical stress.

The Andante motion presents a more tender and reflective side, with stylish and flowing melodic lines and a plaintive, yearning quality.

The Menuetto is a dark and somber example of Mozart's minuet, offering a plain contrast to the lighter and more joyful minuets in his other symphonies. The final movement, Allegro assai, is a whirlwind of passion and energy, with rapid-fire strings driving the symphony to a thrilling conclusion.

Conclusion
The Cleveland Orchestra's 1960 recording of Symphonies Nos. 35 "Haffner", 39, and 40, performed by George Szell, is thought about among the great examples of Mozart's symphonic output, carried out with clarity, accuracy, and psychological depth. This historic performance stands as a testimony to the synergy between one of the world's finest orchestras and a conductor whose deep analysis of Mozart's music has stood the test of time.