"After you get what you want you don't want it"
About this Quote
Desire is Berlin's real subject here, not romance. "After you get what you want you don't want it" lands like a lyric because it moves on a simple pivot: want becomes have, and the emotional engine stalls. It's a one-line diagnosis of the itch that keeps people dancing, dating, buying, chasing applause - and then looking around, slightly embarrassed, once the lights come up.
Berlin came up through Tin Pan Alley, a factory of longing disguised as entertainment. Popular song in his era sold fantasies with the efficiency of consumer goods: the perfect partner, the perfect night, the perfect version of yourself. This line quietly punctures that whole system. The subtext is not "be grateful" or "desire is bad". It's sharper: wanting is often more satisfying than owning because wanting keeps possibility alive. Having collapses possibility into reality, with all its limits.
There's also a performer-composer edge to it. Berlin spent a lifetime manufacturing "what you want" for mass audiences: tunes that promised happiness in three minutes. He knew the cycle: the hit you must have, the show you must see, the chorus you can't stop humming - until the next one arrives. The sentence carries a kind of weary professionalism: a man who understands that appetite is renewable, fulfillment isn't.
In modern terms, it anticipates dopamine economics: the chase is rewarded; the catch is quiet. Berlin makes it sound casual, almost tossed off, which is why it cuts. It's the truth you hum on the way to the next want.
Berlin came up through Tin Pan Alley, a factory of longing disguised as entertainment. Popular song in his era sold fantasies with the efficiency of consumer goods: the perfect partner, the perfect night, the perfect version of yourself. This line quietly punctures that whole system. The subtext is not "be grateful" or "desire is bad". It's sharper: wanting is often more satisfying than owning because wanting keeps possibility alive. Having collapses possibility into reality, with all its limits.
There's also a performer-composer edge to it. Berlin spent a lifetime manufacturing "what you want" for mass audiences: tunes that promised happiness in three minutes. He knew the cycle: the hit you must have, the show you must see, the chorus you can't stop humming - until the next one arrives. The sentence carries a kind of weary professionalism: a man who understands that appetite is renewable, fulfillment isn't.
In modern terms, it anticipates dopamine economics: the chase is rewarded; the catch is quiet. Berlin makes it sound casual, almost tossed off, which is why it cuts. It's the truth you hum on the way to the next want.
Quote Details
| Topic | Wisdom |
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