"All literature consists of whatever the writer thinks is cool. The reader will like the book to the degree that he agrees with the writer about what's cool"
About this Quote
Brust is doing something sly here: dressing a big, contentious claim about art in the casual language of taste. “Cool” sounds throwaway, like a shrug in a leather jacket, but it’s a knife. He’s stripping literature of its polite alibis (beauty, truth, moral uplift) and relocating it in the most human, least defensible place: what the writer can’t stop obsessing over. The line reads like permission for genre writers who’ve been told their passions are “mere entertainment,” and like a warning to anyone who thinks canon is an objective list rather than a long-running popularity contest with better lighting.
The subtext is about alignment. Brust suggests that reading isn’t a neutral act of decoding; it’s a negotiation of values. Every stylistic choice smuggles a worldview: what counts as bravery, what kind of humor is acceptable, whether sincerity is brave or embarrassing, whether violence is thrilling or tragic. When you “like” a book, you’re often recognizing your own instincts made articulate. When you don’t, it can feel less like disagreement with a plot than with a person.
Context matters: Brust comes out of speculative fiction, a field where “cool” is currency and aesthetics are openly tribal - swords, heists, baroque politics, hardboiled voice. He’s also puncturing the fantasy that craft alone guarantees admiration. Technical mastery can’t fully compensate for a reader who simply doesn’t share the author’s sense of what’s worth caring about. The provocation lands because it’s both cynical and oddly democratic: literature isn’t a temple; it’s a meeting place for compatible tastes.
The subtext is about alignment. Brust suggests that reading isn’t a neutral act of decoding; it’s a negotiation of values. Every stylistic choice smuggles a worldview: what counts as bravery, what kind of humor is acceptable, whether sincerity is brave or embarrassing, whether violence is thrilling or tragic. When you “like” a book, you’re often recognizing your own instincts made articulate. When you don’t, it can feel less like disagreement with a plot than with a person.
Context matters: Brust comes out of speculative fiction, a field where “cool” is currency and aesthetics are openly tribal - swords, heists, baroque politics, hardboiled voice. He’s also puncturing the fantasy that craft alone guarantees admiration. Technical mastery can’t fully compensate for a reader who simply doesn’t share the author’s sense of what’s worth caring about. The provocation lands because it’s both cynical and oddly democratic: literature isn’t a temple; it’s a meeting place for compatible tastes.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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