"Children always turn to the light"
About this Quote
A child learns the world by following brightness: a window in a dim room, a face that glows with attention, a patch of sun where warmth gathers. Light stands for far more than illumination. It is clarity, truth, affection, possibility. To say children always turn to the light is to trust in an innate momentum toward growth and understanding, a seeking instinct that precedes theory and ideology. They lean toward what nourishes, even when they cannot name it.
David Hare, a playwright and screenwriter known for anatomizing public lies and private evasions, often places innocence in the glare of compromised institutions. The line resonates inside that larger project. If adulthood is the craft of casting shadows to protect interests or soften hard facts, childhood is an unembarrassed pivot toward what can be seen and known. The ethic implied is double: children possess a native clarity, and adults bear responsibility for what is lit. Provide truth, kindness, and room to flourish, and they will grow in that direction. Flood them with glare, spectacle, and distortion, and they will turn there too. The turn is reliable; the quality of the light is up to us.
There is a theatrical undertone as well. On stage, light decides where attention goes; lighting is moral architecture. Hare understands that politics and media work the same way. What a culture illuminates, it invites its young to desire. The sentence reads as hope and as warning.
It is not sentimental. Darkness exists: grief, neglect, the long shadow of history. Trauma can teach a child to fear light or confuse it with exposure and judgment. Yet the line insists on a stubborn resilience. Given even a narrow beam of honesty or care, children will find it and move. That belief binds art to pedagogy and private love to public policy. To honor it is to curate the brightness we make available, and to keep widening it.
David Hare, a playwright and screenwriter known for anatomizing public lies and private evasions, often places innocence in the glare of compromised institutions. The line resonates inside that larger project. If adulthood is the craft of casting shadows to protect interests or soften hard facts, childhood is an unembarrassed pivot toward what can be seen and known. The ethic implied is double: children possess a native clarity, and adults bear responsibility for what is lit. Provide truth, kindness, and room to flourish, and they will grow in that direction. Flood them with glare, spectacle, and distortion, and they will turn there too. The turn is reliable; the quality of the light is up to us.
There is a theatrical undertone as well. On stage, light decides where attention goes; lighting is moral architecture. Hare understands that politics and media work the same way. What a culture illuminates, it invites its young to desire. The sentence reads as hope and as warning.
It is not sentimental. Darkness exists: grief, neglect, the long shadow of history. Trauma can teach a child to fear light or confuse it with exposure and judgment. Yet the line insists on a stubborn resilience. Given even a narrow beam of honesty or care, children will find it and move. That belief binds art to pedagogy and private love to public policy. To honor it is to curate the brightness we make available, and to keep widening it.
Quote Details
| Topic | Optimism |
|---|
More Quotes by David
Add to List









