"Compared to dancing, films seemed to me to be the work of lay bums. There was no physical pain; it was enough to say and imagine what was in the script. It was very easy for me"

Victoria Abril's quote offers a striking contrast between the art of dancing and the craft of filmmaking, exposing her perspective on the needs and nature of each discipline. By expressing that films seemed to be "the work of ordinary bottoms" compared to dancing, Abril mentions her perception that filmmaking may need less extensive physical exertion and precision than dance. Dance is naturally a physical art type that requires extreme discipline, training, and endurance. Dancers subject their bodies to continual physical difficulties, which typically involve handling pain and pain to attain grace and precision. This is not merely about talent however also about ruthless physical practice and resilience.

In contrast, Abril defines filmmaking as being "really simple", suggesting that it mainly includes intellectual and imaginative efforts rather than physical ones. In her view, acting in movies revolves around conveying dialogue and embodying situations as written in the script, which, though requiring psychological and psychological engagement, does not necessarily induce the very same level of physical pressure as dance does. Her use of the term "lay bottoms" might indicate that, to her, filmmaking does not demand the same level of physical commitment, and possibly even discipline, as dancing does.

Nevertheless, this point of view does not trivialize the art of filmmaking but rather highlights Abril's personal experience and affinity with the physical discipline of dance. While films need technical ability, psychological expression, and creativity, Abril felt an unique ease in comparison to the rigorous needs of dance. Her words may reflect a gratitude for the physical rigor and the extensive individual connection she finds in dance-- one that maybe makes the obstacles of acting appear relatively less challenging. This contrast is subjective, catching Abril's special perspective, which highlights the diverse nature of creative expression and the diverse needs various art forms can put upon their specialists.