"I don't think, 'Gee, I'd like to dress this person.' There was a picture in Us magazine. It was a jersey dress, and Courtney Love was wearing it. I have this thing about Courtney Love, this funny worship"
- Marc Jacobs
About this Quote
In this quote by Marc Jacobs, the popular designer shares an anecdote that supplies insight into his imaginative process and individual impacts. Jacobs begins by dismissing the traditional idea that designers often have a desire to dress particular individuals. His statement, "I don't think, 'Gee, I 'd like to dress this individual,'" recommends that his motivation does not originate from a desire to change or improve the image of an individual through style. Instead, he indicates that his creative process is more organic and driven by individual connections to minutes, images, or personalities that resonate with him on a deeper level.
He then recounts seeing an image in United States magazine of Courtney Love using a jersey gown. This image seems to have actually struck home with him, not necessarily due to the fact that of any stylistic accomplishment but due to an inexplicable connection he feels towards Love. Jacobs explains having a "funny worship" for the rock musician, indicating a blend of adoration, fascination, and maybe an understanding of her personality and aesthetic.
Jacobs' appreciation for Love might be rooted in their shared ethos within their respective fields. Both embody a rebellious spirit; Jacobs in his determination to take imaginative risks in fashion, and Love in her raw, unfiltered existence in music and pop culture. By referencing this minute, Jacobs is illuminating how unforeseeable sources of inspiration can be. He appears to appreciate the authenticity and edginess that Love represents, which in turn influences his design choices.
Furthermore, this quote shines a light on Jacobs' method to celeb culture. Instead of placing himself as someone who determines design, he sees himself as an observer who obtains inspiration from those who naturally align with his design viewpoint. This highlights a viewpoint of shared impact, where style and culture constantly shape and redefine each other.
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