"I have a bad tendency to get rapidly bored with my own material, so rewriting is hard for me. I mean, I already know the story and would rather read something new"

In his quote, Alan Dean Foster succinctly captures a typical struggle lots of writers deal with: the challenge of revisiting and fine-tuning their work. He exposes an individual propensity to end up being quickly indifferent with his own productions, which postures a significant hurdle throughout the rewording procedure. This feeling of dullness most likely comes from familiarity-- as the creator of the story, Foster has already engaged deeply with the product. The enjoyment of discovery and exploration, which typically fuels the preliminary phases of writing, reduces when an author needs to re-engage with a work whose plot and characters they already fully understand.

The rewriting stage is important for any writer. It enables refinement of concepts, development of characters, and strengthening of styles, eventually raising the quality of the narrative. However, as Foster notes, the allure of brand-new stories can lure authors to divert their attention away from this stage, running the risk of the capacity of their present work. The idea of rewording ends up being less about developing and more about perfecting, which may do not have the excitement related to crafting originalities.

Foster's honest admission uses insight into the inner functions of an innovative mind grappling with the balance in between development and discipline. For authors, his words highlight the value of persevering through the less amazing stages of storytelling. It invites them to discover new ways to engage with their work-- perhaps by including feedback, try out different point of views, or reimagining scenes. This ongoing obstacle reflects a broader fact about creativity: it requires perseverance and dedication even when motivations subside.

Eventually, Foster's reflection on his composing procedure welcomes empathy and resonates with anybody who develops. It's a tip that understanding one's creative propensities, consisting of the aversion to revisiting finished work, can inform techniques to maintain inspiration and produce refined, impactful narratives.