"I have known a vast quantity of nonsense talked about bad men not looking you in the face. Don't trust that conventional idea. Dishonesty will stare honesty out of countenance any day in the week, if there is anything to be got by it"
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Dickens skewers a cozy Victorian superstition: that morality is legible on the body, that the guilty flinch and the honest glow. It is a comforting myth because it turns ethics into amateur physiognomy. You don’t have to interrogate systems, incentives, or your own susceptibility; you just “read” the face. Dickens, who made a career of anatomizing social performance, calls that bluff. The line pivots on a delicious reversal: dishonesty doesn’t merely pass as honesty, it dominates it, “stare[s] honesty out of countenance.” Truth is socially fragile; it blushes, hesitates, and worries about being believed. A practiced liar has the advantage of rehearsal.
The intent is practical, almost journalistic: distrust the folk wisdom that equates eye contact with virtue. Dickens is warning readers about a particular kind of villain he knew well from courts, debt, bureaucracy, and drawing rooms: the confident predator who weaponizes etiquette. “Bad men not looking you in the face” is a cliché the respectable repeat to reassure themselves that danger announces itself. Dickens insists the opposite. When there’s “anything to be got by it,” shamelessness becomes a tactic, not a tell.
The subtext is also a critique of a culture that polices sincerity as manners. The honest person, trained to be polite and self-doubting, is easy to bully. Dickens’s best scoundrels aren’t shadowy; they’re brazen, charming, managerial. This is moral realism disguised as a witty admonition: the most effective fraud often looks you dead in the eye because it’s counting on you to confuse confidence with character.
The intent is practical, almost journalistic: distrust the folk wisdom that equates eye contact with virtue. Dickens is warning readers about a particular kind of villain he knew well from courts, debt, bureaucracy, and drawing rooms: the confident predator who weaponizes etiquette. “Bad men not looking you in the face” is a cliché the respectable repeat to reassure themselves that danger announces itself. Dickens insists the opposite. When there’s “anything to be got by it,” shamelessness becomes a tactic, not a tell.
The subtext is also a critique of a culture that polices sincerity as manners. The honest person, trained to be polite and self-doubting, is easy to bully. Dickens’s best scoundrels aren’t shadowy; they’re brazen, charming, managerial. This is moral realism disguised as a witty admonition: the most effective fraud often looks you dead in the eye because it’s counting on you to confuse confidence with character.
Quote Details
| Topic | Honesty & Integrity |
|---|---|
| Source | Help us find the source |
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