"I say a murder is abstract. You pull the trigger and after that you do not understand anything that happens"
About this Quote
Murder, Sartre suggests, isn’t a dramatic climax but an epistemic cliff: the moment you act, the world stops being intelligible in the way you’d like it to be. Calling it “abstract” is the barb. We expect murder to be the most concrete of acts - blood, body, cause, effect. Sartre flips that instinct to expose how quickly moral certainty turns into conceptual fog once responsibility becomes real. “You pull the trigger” is blunt, mechanical, almost banal; it’s the grammar of agency stripped to its minimum. Then comes the devastating turn: “after that you do not understand anything that happens.” The sentence refuses catharsis. It implies not just shock or remorse, but a collapse of narrative control.
The subtext is existentialism at its ugliest: freedom isn’t liberating when it produces irreversible facts. You choose, and the choice solidifies into a world that now includes that choice - a world you can’t fully interpret from the inside because you are implicated in it. Sartre is also taking aim at the romantic mythology of political violence: the fantasy that a single, decisive act clarifies history. Instead, violence detonates meaning. Consequences proliferate - legal, social, psychological - and the killer’s attempt to “understand” becomes another evasive maneuver, a way of laundering agency into confusion.
Context matters: Sartre wrote in the long shadow of war, occupation, resistance, and later the ferocious debates over revolutionary violence. The line reads like a warning against the seduction of righteous action: once you make death your instrument, you don’t get to script what comes next, or who you become.
The subtext is existentialism at its ugliest: freedom isn’t liberating when it produces irreversible facts. You choose, and the choice solidifies into a world that now includes that choice - a world you can’t fully interpret from the inside because you are implicated in it. Sartre is also taking aim at the romantic mythology of political violence: the fantasy that a single, decisive act clarifies history. Instead, violence detonates meaning. Consequences proliferate - legal, social, psychological - and the killer’s attempt to “understand” becomes another evasive maneuver, a way of laundering agency into confusion.
Context matters: Sartre wrote in the long shadow of war, occupation, resistance, and later the ferocious debates over revolutionary violence. The line reads like a warning against the seduction of righteous action: once you make death your instrument, you don’t get to script what comes next, or who you become.
Quote Details
| Topic | Ethics & Morality |
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