"It is only an auctioneer who can equally and impartially admire all schools of art"
About this Quote
Wilde fires a dart of paradox to skewer two targets at once: the pretense of impartial taste and the flattening force of the marketplace. An auctioneer can admire every school of art with equal warmth because that warmth is measured in bids, not in feeling. When beauty becomes inventory, Cubism and Rococo, Pre-Raphaelite reverie and austere Classicism all shimmer with the same sheen of potential profit. Equality here is not generosity but indifference, a refusal to discriminate that serves a commercial purpose.
Genuine aesthetic response is necessarily partial. Taste chooses, prefers, argues. It lingers over certain forms, resists others, and learns to change its mind. To admire everything equally is to avoid the risk of judgment. Wilde, the champion of Aestheticism, prized the intensity of response and the creative work of criticism; he distrusted slogans of objectivity that mask convenience or cowardice. The line mocks critics who boast of neutrality and collectors who mistake a catalog for a canon. It also punctures Victorian confidence in tidy classifications: once art is sorted into schools, the auctioneer can stack them like lots, and their singular claims on the soul are dulled.
There is a moral edge, too. If market value sets the standard of admiration, then artistic meaning and difficulty are sidelined by liquidity. The joke warns against letting price stand in for taste, and against the lazy relativism that treats all styles as interchangeable to avoid the labor of attention. Yet the quip is not an argument for narrowness. It invites a more strenuous pluralism, one that meets many traditions with curiosity while still daring to judge, to love, to reject. Better a partial spectator who struggles toward discernment than an impartial observer whose equal praise is merely the echo of the hammer.
Genuine aesthetic response is necessarily partial. Taste chooses, prefers, argues. It lingers over certain forms, resists others, and learns to change its mind. To admire everything equally is to avoid the risk of judgment. Wilde, the champion of Aestheticism, prized the intensity of response and the creative work of criticism; he distrusted slogans of objectivity that mask convenience or cowardice. The line mocks critics who boast of neutrality and collectors who mistake a catalog for a canon. It also punctures Victorian confidence in tidy classifications: once art is sorted into schools, the auctioneer can stack them like lots, and their singular claims on the soul are dulled.
There is a moral edge, too. If market value sets the standard of admiration, then artistic meaning and difficulty are sidelined by liquidity. The joke warns against letting price stand in for taste, and against the lazy relativism that treats all styles as interchangeable to avoid the labor of attention. Yet the quip is not an argument for narrowness. It invites a more strenuous pluralism, one that meets many traditions with curiosity while still daring to judge, to love, to reject. Better a partial spectator who struggles toward discernment than an impartial observer whose equal praise is merely the echo of the hammer.
Quote Details
| Topic | Art |
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