"It's not enough that I should succeed - others should fail"
About this Quote
There’s a deliciously ugly honesty in Merrick’s line: it refuses the polite fiction that success is merely personal achievement. It’s a producer’s maxim stripped down to the industry’s real math. In show business, “winning” is rarely additive; it’s comparative. You don’t just open a hit, you out-open someone else. You don’t simply get reviews, you steal the attention that could have gone to the show across the street. Merrick, a Broadway producer notorious for ruthless publicity stunts, is basically admitting that the marketplace he thrived in runs on scarcity and status, not meritocratic abundance.
The intent is partly provocation. It’s a villain’s monologue delivered with a wink, inviting the listener to recoil while recognizing the familiar logic underneath. The subtext is that triumph without hierarchy doesn’t scratch the same itch. Success only feels like success when it redraws the pecking order. That’s not just competitiveness; it’s a worldview where validation is external and zero-sum, where you’re only as real as the person you beat.
Context matters because Merrick’s Broadway era was a knife fight for column inches and ticket buyers, long before streaming expanded the notion of an audience. His quip also prefigures modern attention economics: algorithmic feeds, award-season campaigns, brand “clapbacks.” The line lands because it’s candid about the darker fuel behind prestige. We like to pretend we’re rooting for excellence; Merrick reminds us we’re often rooting for domination.
The intent is partly provocation. It’s a villain’s monologue delivered with a wink, inviting the listener to recoil while recognizing the familiar logic underneath. The subtext is that triumph without hierarchy doesn’t scratch the same itch. Success only feels like success when it redraws the pecking order. That’s not just competitiveness; it’s a worldview where validation is external and zero-sum, where you’re only as real as the person you beat.
Context matters because Merrick’s Broadway era was a knife fight for column inches and ticket buyers, long before streaming expanded the notion of an audience. His quip also prefigures modern attention economics: algorithmic feeds, award-season campaigns, brand “clapbacks.” The line lands because it’s candid about the darker fuel behind prestige. We like to pretend we’re rooting for excellence; Merrick reminds us we’re often rooting for domination.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Later attribution: Donald Trump (David Merrick) modern compilation
Evidence:
ends and her donors honestly she should be locked up she should be should be loc |
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