"Love: A temporary insanity curable by marriage"
About this Quote
Bierce’s line lands like a toast raised with a smirk: it flatters romance just long enough to diagnose it as a mental lapse. Calling love “a temporary insanity” does two things at once. It grants the feeling intensity and helplessness (insanity isn’t chosen), then strips it of moral dignity. Love isn’t sacred; it’s a symptom. The punchline, “curable by marriage,” is the real trapdoor. In the Victorian-and-after imagination, marriage is supposed to be love’s culmination, the institution that legitimizes passion. Bierce flips that script: marriage isn’t the reward for love, it’s the treatment that kills it.
The subtext is not merely anti-romantic; it’s anti-sentimental, suspicious of the narratives that sell private emotion as public virtue. Bierce, a journalist with a satirist’s palate, wrote in an America steeped in boosterism, moral certainties, and the emerging marketplace of respectable domesticity. Marriage functioned as social order, economic arrangement, and reputational insurance. By framing it as a “cure,” Bierce implies the institution is less about tenderness than about containment: channel the chaos of desire into paperwork, routine, and obligation.
The joke works because it’s cruelly economical. “Temporary” hints that the fever always breaks; “curable” suggests we know the remedy; “marriage” delivers the cynical recognition that what society calls happy ending often feels like comedown. It’s not a sociology lecture, it’s an x-ray: a single sentence exposing how quickly our grandest emotions get translated into systems designed to manage them.
The subtext is not merely anti-romantic; it’s anti-sentimental, suspicious of the narratives that sell private emotion as public virtue. Bierce, a journalist with a satirist’s palate, wrote in an America steeped in boosterism, moral certainties, and the emerging marketplace of respectable domesticity. Marriage functioned as social order, economic arrangement, and reputational insurance. By framing it as a “cure,” Bierce implies the institution is less about tenderness than about containment: channel the chaos of desire into paperwork, routine, and obligation.
The joke works because it’s cruelly economical. “Temporary” hints that the fever always breaks; “curable” suggests we know the remedy; “marriage” delivers the cynical recognition that what society calls happy ending often feels like comedown. It’s not a sociology lecture, it’s an x-ray: a single sentence exposing how quickly our grandest emotions get translated into systems designed to manage them.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | The Devil's Dictionary — entry 'Love', Ambrose Bierce. |
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