"One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space?"

Anish Kapoor's quote explores the complex relationship in between art and spirituality. By specifying, "One can not set out to make a work that's spiritual", Kapoor recommends that spirituality in art is not something that can be intentionally made or contrived. Rather, it emerges authentically through the creative process, often reflecting the artist's introspection and connection to deeper existential styles. Spirituality in art, then, is an emerging quality rather than an intentional venture. This indicates that efforts to straight manufacture 'spiritual art' might result in superficiality, lacking the depth and authenticity that truly spiritual works have.

Kapoor's concern, "What is a modern iconography for the spiritual?" indicate the obstacle of representing spiritual styles in today's world. Standard spiritual iconography frequently used specific symbols and themes to communicate spiritual significances. However, in modern art, these symbols may no longer resonate with varied audiences who possess myriad beliefs and approaches. Therefore, today's artists face the task of developing a brand-new visual language that encapsulates spirituality without relying solely on historic or religious signs.

The rhetorical concern, "Is it some fuzzy area?" suggests ambiguity in specifying contemporary spiritual iconography. The term "fuzzy space" may describe an indefinable location that avoids accurate representation, possibly reflecting inner states like faith, transcendence, or enlightenment. Instead of clear-cut signs, contemporary spiritual art could include abstract, emotive, or experiential qualities that provoke reflection and self-questioning in the audience.

Eventually, Kapoor appears to argue that spiritual art today needs openness to uncertainty and abstraction. It calls for development in creating brand-new symbols and experiences to record the ineffable nature of spirituality. Effective contemporary spiritual artwork may rely on evoking feelings rather than prescribing meanings, inviting audiences to explore their own spiritual understandings. Kapoor's viewpoints beckon artists to consider how they can naturally integrate spirituality into their work, encouraging a genuine, intrinsic approach.