"So, when the discussion about not using the term feminist came up at a conference workshop, I couldn't believe it. The more I listened, the more I felt the need to express my passion about my identity as a feminist"
About this Quote
The statement captures a familiar tension inside social movements when language becomes contested. At a workshop, participants consider dropping the word feminist as a tactical choice, worried about alienating potential allies or provoking backlash. Betty Buckley recoils from that calculus. Her disbelief and rising urgency mark how easily a hard-won name can be reframed as a liability, and how much moral and historical weight a single word can carry.
Feminism, for her, is not a PR problem to be solved but a lineage, a stance, and a community. To let go of the term would be to dilute the specificity of the struggle and erase the women who claimed it at great personal cost. That impulse to substitute softer labels like humanist or equalist mistakes neutrality for fairness; it flattens the asymmetries that feminism names and confronts. By insisting on the identity, she preserves the clarity of the analysis: gendered power structures exist, and change requires naming them.
Buckley’s career as a celebrated performer unfolded in industries shaped by male gatekeeping and narrow roles for women. The label gives language to experiences of inequity and to the collective labor of expanding opportunity. Artists often stand at the intersection of culture and politics, and her resolve underscores how public figures can normalize honest vocabulary rather than capitulating to stigma. Passion here is not mere sentiment; it is a refusal to be managed by the optics of acceptability.
The moment she describes is also generational and cyclical. Periodically, the term feminist becomes unfashionable, and each time the movement must decide whether to rebrand or to teach. She chooses the latter. The protest is simple and bracing: do not ask me to hide the truth of my convictions to make them easier to digest. To claim the word is to claim history, responsibility, and solidarity, and to insist that progress does not come from silence.
Feminism, for her, is not a PR problem to be solved but a lineage, a stance, and a community. To let go of the term would be to dilute the specificity of the struggle and erase the women who claimed it at great personal cost. That impulse to substitute softer labels like humanist or equalist mistakes neutrality for fairness; it flattens the asymmetries that feminism names and confronts. By insisting on the identity, she preserves the clarity of the analysis: gendered power structures exist, and change requires naming them.
Buckley’s career as a celebrated performer unfolded in industries shaped by male gatekeeping and narrow roles for women. The label gives language to experiences of inequity and to the collective labor of expanding opportunity. Artists often stand at the intersection of culture and politics, and her resolve underscores how public figures can normalize honest vocabulary rather than capitulating to stigma. Passion here is not mere sentiment; it is a refusal to be managed by the optics of acceptability.
The moment she describes is also generational and cyclical. Periodically, the term feminist becomes unfashionable, and each time the movement must decide whether to rebrand or to teach. She chooses the latter. The protest is simple and bracing: do not ask me to hide the truth of my convictions to make them easier to digest. To claim the word is to claim history, responsibility, and solidarity, and to insist that progress does not come from silence.
Quote Details
| Topic | Equality |
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