"That is the key of this collection, being yourself. Don't be into trends. Don't make fashion own you, but you decide what you are, what you want to express by the way you dress and the way to live"
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Versace’s “be yourself” lands with extra voltage because it comes from a man who helped manufacture the very machinery of desire he’s warning you about. In the late-80s/90s supermodel era he practically wrote the instruction manual for fashion as spectacle: metal mesh dresses, Medusa logos, runway as pop concert. So when he says, “Don’t make fashion own you,” he’s not offering a Hallmark bumper sticker. He’s drawing a boundary line between style as self-authorship and style as outsourced identity.
The phrasing is telling. “That is the key of this collection” frames individuality as a product feature, not an abstract virtue. Versace knows consumers don’t buy clothes; they buy permission. His pitch is: you can wear the drama without surrendering the steering wheel. It’s a subtle reframing of power. Trends are cast as a kind of soft tyranny: they move fast, flatten difference, and turn people into repeat customers of the same look. “You decide what you are” is almost existentialist, but it’s delivered in the language of choice and display. Selfhood here is something performed, curated, broadcast.
The subtext is also defensive in the best way: if fashion is accused of being shallow, Versace insists it’s actually a medium. Clothes become a public vocabulary for desire, status, sexuality, ambition. “The way you dress and the way to live” collapses outfit and ethos, not because he thinks fabric equals character, but because he understands modern life is read at a glance. He’s arguing for intentionality in a world eager to dress you on autopilot.
The phrasing is telling. “That is the key of this collection” frames individuality as a product feature, not an abstract virtue. Versace knows consumers don’t buy clothes; they buy permission. His pitch is: you can wear the drama without surrendering the steering wheel. It’s a subtle reframing of power. Trends are cast as a kind of soft tyranny: they move fast, flatten difference, and turn people into repeat customers of the same look. “You decide what you are” is almost existentialist, but it’s delivered in the language of choice and display. Selfhood here is something performed, curated, broadcast.
The subtext is also defensive in the best way: if fashion is accused of being shallow, Versace insists it’s actually a medium. Clothes become a public vocabulary for desire, status, sexuality, ambition. “The way you dress and the way to live” collapses outfit and ethos, not because he thinks fabric equals character, but because he understands modern life is read at a glance. He’s arguing for intentionality in a world eager to dress you on autopilot.
Quote Details
| Topic | Confidence |
|---|
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