"The more decadent a culture gets, the more they have a need for what they don't have at all, which is innocence, so you end up with kiddie porn and a perverse obsession with youth"
About this Quote
Mitchell’s line lands like a match tossed into a room full of dry velvet: not just provocative, but diagnostic. She’s riffing on a familiar late-20th-century panic about “decadence,” yet she sharpens it by making the appetite itself the evidence. The point isn’t merely that sexual exploitation exists; it’s that a culture saturated with choice, spectacle, and erotic signal-noise starts craving the one thing it can’t manufacture on demand: innocence. In her logic, innocence becomes a scarce commodity, and scarcity breeds fetish.
The sting is in the causal chain: decadence is framed less as hedonism than as emotional overdraw. When everything is performative, even desire starts to feel secondhand. “Youth” then isn’t just a preference but a symbolic rescue fantasy, a way to launder the self through proximity to unspoiledness. That’s the subtext: the obsession with youth is really an obsession with absolution.
Context matters. Mitchell came of age through the sexual revolution and watched its promises curdle into a commercialized, image-driven culture where the “liberation” often flowed to those already holding power. In that sense, the quote reads as an artist’s disgust with how beauty and young bodies get turned into cultural currency, and how the marketplace doesn’t just reflect desire - it trains it.
She overreaches deliberately. By yoking “kiddie porn” to mainstream youth-fixation, she collapses a continuum most people prefer to keep morally compartmentalized. It’s a rhetorical gut-punch: if you keep worshipping youth as purity, don’t be surprised when the worship turns predatory.
The sting is in the causal chain: decadence is framed less as hedonism than as emotional overdraw. When everything is performative, even desire starts to feel secondhand. “Youth” then isn’t just a preference but a symbolic rescue fantasy, a way to launder the self through proximity to unspoiledness. That’s the subtext: the obsession with youth is really an obsession with absolution.
Context matters. Mitchell came of age through the sexual revolution and watched its promises curdle into a commercialized, image-driven culture where the “liberation” often flowed to those already holding power. In that sense, the quote reads as an artist’s disgust with how beauty and young bodies get turned into cultural currency, and how the marketplace doesn’t just reflect desire - it trains it.
She overreaches deliberately. By yoking “kiddie porn” to mainstream youth-fixation, she collapses a continuum most people prefer to keep morally compartmentalized. It’s a rhetorical gut-punch: if you keep worshipping youth as purity, don’t be surprised when the worship turns predatory.
Quote Details
| Topic | Youth |
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