"There is something inherent in our democracy that tends to want to level. America is a little uncomfortable in the presence of someone who is distinctly superior in whatever way"
About this Quote
Floyd is diagnosing an American reflex that celebrates equality while quietly distrusting excellence. The line lands because it frames “leveling” not as a policy dispute but as a cultural instinct: democracy as mood, not just system. “There is something inherent” reads like a composer talking about structure and theme - a built-in motif that keeps recurring. He isn’t railing against fairness; he’s pointing to the way egalitarian ideals can mutate into social pressure, the suspicion that anyone “distinctly superior” must be arrogant, illegitimate, or somehow un-American.
The subtext is less “elitism is good” than “ambition is complicated here.” Americans love the underdog story precisely because it reassures us that superiority is earned, temporary, and preferably followed by humility. Floyd’s “uncomfortable” is doing a lot of work: it suggests we don’t always attack excellence head-on; we squirm, joke it away, demand relatability, or insist the gifted person “bring it down to earth.” That impulse shows up in everything from anti-intellectual politics to the way pop culture rewards stars who perform ordinariness.
Context matters: Floyd wrote serious American opera in a country that funds prestige art unevenly and often treats high culture as an affectation. A composer inhabits a world where mastery is obvious and hierarchical - training, technique, lineage - yet must make a case for relevance in a mass democracy. The quote reads like a defense of distinction and a warning: a culture that flinches at “superior” talent risks sanding down its own peaks, then calling the flatness virtue.
The subtext is less “elitism is good” than “ambition is complicated here.” Americans love the underdog story precisely because it reassures us that superiority is earned, temporary, and preferably followed by humility. Floyd’s “uncomfortable” is doing a lot of work: it suggests we don’t always attack excellence head-on; we squirm, joke it away, demand relatability, or insist the gifted person “bring it down to earth.” That impulse shows up in everything from anti-intellectual politics to the way pop culture rewards stars who perform ordinariness.
Context matters: Floyd wrote serious American opera in a country that funds prestige art unevenly and often treats high culture as an affectation. A composer inhabits a world where mastery is obvious and hierarchical - training, technique, lineage - yet must make a case for relevance in a mass democracy. The quote reads like a defense of distinction and a warning: a culture that flinches at “superior” talent risks sanding down its own peaks, then calling the flatness virtue.
Quote Details
| Topic | Equality |
|---|---|
| Source | Help us find the source |
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