"We got into all the trouble you could ever imagine. We figured that if the Jones boys and all the gangsters ran Chicago, we had our own territory now. All the stores, all the crime, we were in charge of everything, my stepbrother and my brother"
About this Quote
It lands like a casual brag, then curdles into a snapshot of how power forms when nobody is watching. Quincy Jones is describing adolescence not as a coming-of-age montage but as a municipal takeover: “territory,” “stores,” “crime,” “in charge of everything.” The diction borrows from gangster mythology, and that’s the point. In mid-century Chicago, the line between neighborhood legend and organized violence was porous; kids didn’t just hear about Capone-era rule, they inhaled its afterimage. Jones isn’t performing criminal chic so much as explaining how a young mind learns the grammar of authority: you claim space, you enforce it, you become somebody.
The subtext is startlingly pragmatic. “We figured” frames domination as a logical conclusion, almost entrepreneurial. If “the Jones boys and all the gangsters” can run the city, why not us? It’s the American meritocracy rewritten as street sovereignty: ambition with no legitimate ladder available, so the ladder becomes whatever you can seize. The inclusion of “all the stores” alongside “all the crime” blurs economy and illegality, hinting that, at ground level, commerce and coercion are often neighboring businesses.
Then the last clause tightens the lens: “my stepbrother and my brother.” Not “my crew,” not “my friends,” but family. The power fantasy is also a family story, suggesting survival through kinship and a home life where structures are improvised. Coming from a musician, it reads like an origin tale for later leadership: the same instincts that once organized chaos eventually get rerouted into arranging bands, managing egos, and running sessions. It’s a confession, but also a map of how a producer’s command can be born in the most unruly places.
The subtext is startlingly pragmatic. “We figured” frames domination as a logical conclusion, almost entrepreneurial. If “the Jones boys and all the gangsters” can run the city, why not us? It’s the American meritocracy rewritten as street sovereignty: ambition with no legitimate ladder available, so the ladder becomes whatever you can seize. The inclusion of “all the stores” alongside “all the crime” blurs economy and illegality, hinting that, at ground level, commerce and coercion are often neighboring businesses.
Then the last clause tightens the lens: “my stepbrother and my brother.” Not “my crew,” not “my friends,” but family. The power fantasy is also a family story, suggesting survival through kinship and a home life where structures are improvised. Coming from a musician, it reads like an origin tale for later leadership: the same instincts that once organized chaos eventually get rerouted into arranging bands, managing egos, and running sessions. It’s a confession, but also a map of how a producer’s command can be born in the most unruly places.
Quote Details
| Topic | Brother |
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