"We try to be as much involved in our product as possible, because then it's us"
About this Quote
Rock stardom runs on artifice, but Alice Cooper is pointing to the one kind of control that keeps the mask from swallowing the person. "We try to be as much involved in our product as possible" sounds like shop-floor pragmatism until that last clause flips it into a credo: "because then it's us". He uses the coldest word in the music-business dictionary - product - then insists on something stubbornly human: identity.
The intent is defensive and strategic. Cooper built a career on theatrical shock: guillotines, snakes, eyeliner, a persona engineered to provoke. That kind of spectacle invites a familiar suspicion that it's all packaging, that the artist is just a logo with a backing band. By foregrounding involvement, he's drawing a line between a crafted character and being manufactured by managers, labels, or trends. The subtext is authorship: if you don't touch every lever, someone else will, and you'll end up acting in a show you didn't write.
Context matters because Cooper sits at the crossroads of rock and brand. He was an early proof that musicians could be multimedia long before "content" became a mandate. Calling it "product" is a wink at commerce, but also an admission: the stage act, the records, the interviews, the mythos are a single assembled thing. His insistence that deep participation makes it "us" reframes branding not as selling out, but as self-defense - a way to keep authenticity inside the machinery that tries to standardize it.
The intent is defensive and strategic. Cooper built a career on theatrical shock: guillotines, snakes, eyeliner, a persona engineered to provoke. That kind of spectacle invites a familiar suspicion that it's all packaging, that the artist is just a logo with a backing band. By foregrounding involvement, he's drawing a line between a crafted character and being manufactured by managers, labels, or trends. The subtext is authorship: if you don't touch every lever, someone else will, and you'll end up acting in a show you didn't write.
Context matters because Cooper sits at the crossroads of rock and brand. He was an early proof that musicians could be multimedia long before "content" became a mandate. Calling it "product" is a wink at commerce, but also an admission: the stage act, the records, the interviews, the mythos are a single assembled thing. His insistence that deep participation makes it "us" reframes branding not as selling out, but as self-defense - a way to keep authenticity inside the machinery that tries to standardize it.
Quote Details
| Topic | Business |
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