"We'll sort of get over the marriage first and then maybe look at the kids. But obviously we want a family so we'll have to start thinking about that"
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A blend of pragmatism and warmth runs through the remark, laying out a sequence that privileges stability before expansion. “Get over the marriage” does not trivialize the wedding; it acknowledges the reality that a royal marriage is not just a ceremony but an initiation into a new phase of life under intense public scrutiny. It signals an intention to adjust, to find a rhythm as a couple, and to build a strong foundation before taking on the additional responsibilities of parenthood.
The hedging, “sort of,” “maybe”, is a gentle, very British understatement. It softens the message and projects humility, sidestepping any air of grand declarations. At the same time, the use of “we” foregrounds partnership. Decisions about timing and family are presented as mutual, reflecting a modern view of royal relationships where personal agency and equality matter alongside duty.
Saying “obviously we want a family” satisfies public curiosity without surrendering privacy. It acknowledges the expectations placed upon a future king, continuity, heirs, tradition, yet frames family as a shared desire rather than an obligation. The final clause, “we’ll have to start thinking about that,” signals responsible foresight. It hints at the logistical and emotional planning required for raising children within the constraints of royal life, while refusing to be rushed by public timelines.
There is also strategic media management here: enough openness to seem relatable, enough vagueness to protect the couple’s pace. The sentiment normalizes them, like many couples, they prioritize their relationship before children, while subtly reminding listeners that their path comes with unusual pressures.
Overall, the statement balances personal autonomy with institutional expectation. It sketches a deliberate, phased approach: consolidate the bond, learn the roles, then expand the family. The tone is calm and grounded, projecting a couple intent on building a secure private life even as they prepare to meet public responsibilities.
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