"You learn just as much from your failures. Sometimes you love your failures even more"
About this Quote
Weymouth’s line lands like a backstage confession, not a motivational poster. Coming from a musician who helped build Talking Heads’ taut, brainy grooves, it’s an argument for missteps as raw material. “You learn” is the respectable part; the sneakier, more revealing move is “Sometimes you love your failures even more.” That’s not self-help optimism. It’s a performer admitting that the crooked take, the wrong note, the idea that collapses mid-song can carry a strange intimacy: proof you were reaching, not repeating.
The intent feels practical and protective. In music, “failure” isn’t just bombing onstage. It’s the demo that never becomes a track, the arrangement that fights the band, the gig where the room won’t give you anything back. Weymouth reframes those moments as information-rich and, crucially, identity-forming. Success can be clean and externally legible; failure is personal. You remember it in your hands. You can trace exactly where your taste outran your technique.
The subtext is also a quiet rejection of perfectionism and the myth of the effortless genius. Loving a failure means you value process over polish, and risk over reputation. For artists who came up in the late-70s/early-80s downtown ecosystem - where experimentation was currency and embarrassment was basically tuition - that stance isn’t sentimental. It’s survival. The failures are where the interesting choices live, before they get sanded down into “what works.”
The intent feels practical and protective. In music, “failure” isn’t just bombing onstage. It’s the demo that never becomes a track, the arrangement that fights the band, the gig where the room won’t give you anything back. Weymouth reframes those moments as information-rich and, crucially, identity-forming. Success can be clean and externally legible; failure is personal. You remember it in your hands. You can trace exactly where your taste outran your technique.
The subtext is also a quiet rejection of perfectionism and the myth of the effortless genius. Loving a failure means you value process over polish, and risk over reputation. For artists who came up in the late-70s/early-80s downtown ecosystem - where experimentation was currency and embarrassment was basically tuition - that stance isn’t sentimental. It’s survival. The failures are where the interesting choices live, before they get sanded down into “what works.”
Quote Details
| Topic | Learning from Mistakes |
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