"Youth is a period of missed opportunities"
About this Quote
Connolly casts youth as a season defined less by abundance than by waste, a time when chances pass because the young are least equipped to seize them. The paradox stings: we imagine youth as pure potential, yet potential easily dissolves into postponement. Without the hindsight that gives opportunities their outline, the young cannot always tell which door matters. They hesitate, keep options open, protect a shimmering self that exists in possibility rather than in chosen action. To choose is to close off, and so choice is deferred until it is no longer available.
As a critic of interwar and wartime Britain, Connolly returned again and again to the ways promise fails to ripen. In books like Enemies of Promise and The Unquiet Grave, he anatomized distraction, vanity, and the comforts that seduce talent away from its task. His famous claim that the pram in the hall is the enemy of good art captures the pressures of later life, but this aphorism about youth completes the picture: first, opportunities go by because we do not seize them; later, we cannot seize them because circumstances harden around us. The tragedy is double-edged.
There is also a social bite. Youth is conducted under the gaze of peers, in institutions that reward conformity and delay. The horizon looks limitless, which makes any given moment feel expendable. Pleasure and experiment have their place, but they can become alibis for avoiding the commitments that give shape to a life. Connolly does not sentimentalize the young; he holds up a mirror to the fantasies that stall them.
The line carries a bracing counsel. Opportunities are perishable goods, recognizable only if we act before certainty arrives. Risk, imperfect choice, and a willingness to be defined by what one attempts are the antidotes to the masquerade of endless potential. By naming the waste, Connolly urges a fiercer economy of attention and time.
As a critic of interwar and wartime Britain, Connolly returned again and again to the ways promise fails to ripen. In books like Enemies of Promise and The Unquiet Grave, he anatomized distraction, vanity, and the comforts that seduce talent away from its task. His famous claim that the pram in the hall is the enemy of good art captures the pressures of later life, but this aphorism about youth completes the picture: first, opportunities go by because we do not seize them; later, we cannot seize them because circumstances harden around us. The tragedy is double-edged.
There is also a social bite. Youth is conducted under the gaze of peers, in institutions that reward conformity and delay. The horizon looks limitless, which makes any given moment feel expendable. Pleasure and experiment have their place, but they can become alibis for avoiding the commitments that give shape to a life. Connolly does not sentimentalize the young; he holds up a mirror to the fantasies that stall them.
The line carries a bracing counsel. Opportunities are perishable goods, recognizable only if we act before certainty arrives. Risk, imperfect choice, and a willingness to be defined by what one attempts are the antidotes to the masquerade of endless potential. By naming the waste, Connolly urges a fiercer economy of attention and time.
Quote Details
| Topic | Youth |
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