"A good teacher, like a good entertainer first must hold his audience's attention, then he can teach his lesson"
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Teaching, Clarke suggests, is not a clerical transfer of information but a performance with stakes. The line lands because it refuses the comforting fantasy that truth, on its own, commands attention. In his framing, attention is the scarce resource; instruction is what you earn only after you’ve secured it. That’s a pragmatic, almost streetwise view of learning, and it quietly rebukes institutions that treat disengagement as a student’s moral failure rather than a design problem.
The comparison to “a good entertainer” does double work. It elevates pedagogy by pairing it with a craft that is disciplined, strategic, and audience-aware. At the same time, it demystifies the teacher’s authority: you don’t get to stand above the room and demand focus as your birthright. You have to create it. The subtext is power. Whoever holds attention shapes what counts as knowledge, what feels urgent, what becomes memorable. Clarke is warning that education competes with every other storyteller in the culture, and that “rigor” without engagement is just sanctimony in a cardigan.
Context matters: Clarke, a historian and intellectual rooted in Black studies and liberation thought, knew that classrooms are political spaces. For marginalized histories, being “heard” is never guaranteed. His insistence on capturing attention is less about showmanship for its own sake and more about survival and transmission: if you can’t keep the room, your lesson - especially the ones that challenge dominant narratives - won’t land, won’t travel, won’t last.
The comparison to “a good entertainer” does double work. It elevates pedagogy by pairing it with a craft that is disciplined, strategic, and audience-aware. At the same time, it demystifies the teacher’s authority: you don’t get to stand above the room and demand focus as your birthright. You have to create it. The subtext is power. Whoever holds attention shapes what counts as knowledge, what feels urgent, what becomes memorable. Clarke is warning that education competes with every other storyteller in the culture, and that “rigor” without engagement is just sanctimony in a cardigan.
Context matters: Clarke, a historian and intellectual rooted in Black studies and liberation thought, knew that classrooms are political spaces. For marginalized histories, being “heard” is never guaranteed. His insistence on capturing attention is less about showmanship for its own sake and more about survival and transmission: if you can’t keep the room, your lesson - especially the ones that challenge dominant narratives - won’t land, won’t travel, won’t last.
Quote Details
| Topic | Teaching |
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