"And there isn't any way that one can get rid of the guilt of having a nice body by saying that one can serve society with it, because that would end up with oneself as what? There simply doesn't seem to be any moral place for flesh"
About this Quote
Drabble’s sting is in how she frames physical beauty as a kind of illicit advantage that demands an alibi. The line doesn’t romanticize the body; it interrogates the cultural reflex to treat “a nice body” as something you must launder into acceptability. Notice the tight trap she sets: even the apparently progressive move - “I can serve society with it” - becomes suspect, because it turns flesh into instrument, a public resource to be justified, managed, and spent. The question “as what?” lands like a cold splash. If you redeem your body through usefulness, you risk becoming a mascot, a billboard, a commodity with a social mission statement.
The subtext is an indictment of the moral accounting women are pressured to perform. “Guilt” is doing heavy work here: it suggests that attractiveness isn’t merely admired; it’s morally destabilizing, as if beauty creates debt. Drabble also refuses the usual exits. She doesn’t offer the comforting feminist counter-slogan (“my body, my choice”) or the puritan solution (deny the body). Instead, she points to a cultural dead zone: “no moral place for flesh.” That’s not a personal neurosis; it’s a societal failure of imagination, where the body can only be read as temptation, status, or utility - never simply as self.
Coming from a novelist attuned to domestic life and women’s interior negotiations, the passage reads like social realism sharpened into philosophy: a portrait of a culture that demands women be embodied, but punishes them for being seen.
The subtext is an indictment of the moral accounting women are pressured to perform. “Guilt” is doing heavy work here: it suggests that attractiveness isn’t merely admired; it’s morally destabilizing, as if beauty creates debt. Drabble also refuses the usual exits. She doesn’t offer the comforting feminist counter-slogan (“my body, my choice”) or the puritan solution (deny the body). Instead, she points to a cultural dead zone: “no moral place for flesh.” That’s not a personal neurosis; it’s a societal failure of imagination, where the body can only be read as temptation, status, or utility - never simply as self.
Coming from a novelist attuned to domestic life and women’s interior negotiations, the passage reads like social realism sharpened into philosophy: a portrait of a culture that demands women be embodied, but punishes them for being seen.
Quote Details
| Topic | Ethics & Morality |
|---|---|
| Source | Help us find the source |
More Quotes by Margaret
Add to List









